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Sony G363-ZR0-LAX1 User Manual
Sony G363-ZR0-LAX1 User Manual

Sony G363-ZR0-LAX1 User Manual

Production switcher system
Table of Contents

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User's Guide
Volume 1
1st Edition (Revised 7)
[
English
]
Production
Switcher System
DVS-9000/9000SF System
(With CCP-8000 Series Center Control Panel)
User's Guide
Volume 1
1st Edition (Revised 7)
3-704-666-08 (1)
[English]

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Summary of Contents for Sony G363-ZR0-LAX1

  • Page 1 Production Switcher System DVS-9000/9000SF System (With CCP-8000 Series Center Control Panel) User’s Guide [English] Volume 1 User’s Guide 1st Edition (Revised 7) Volume 1 1st Edition (Revised 7) 3-704-666-08 (1) English...
  • Page 2: Control Panel: Example Configuration

    DVS-9000/9000SF System (With CCP-8000 Series Center Control Panel) User’s Guide Production Switcher System [English] Volume 1 1st Edition (Revised 7) Software Version 7.20 and Later...
  • Page 3 NOTICE TO USERS © 2002 Sony Corporation. All rights reserved. This manual or the software described herein, in whole or in part, may not be reproduced, translated or reduced to any machine readable form without prior written approval from Sony Corporation.
  • Page 4: Control Panel: Example Configuration

    Functions Newly Supported in Version 7.20 The functions newly supported in the DVS-9000 system version 7.20 are as follows. Functions relating to switcher processor Classification Functions supported Menu No. See page Vol. 1 Vol. 2 Transition Preset color mix with an image 1171 selected on the utility 2 bus in place of a color matte...
  • Page 5 Classification Functions supported Menu No. See page Vol. 1 Vol. 2 Snapshot Wipe and DME wipe snapshot 1157, 1167 operations with menu Functions relating to external devices Classification Functions supported Menu No. See page Vol. 1 Vol. 2 Audio mixer Selection of signals linked with the 7322, 30, 302...
  • Page 6: Table Of Contents

    Table of Contents Functions Newly Supported in Version 7.20 ..........3 Chapter 1 DVS-9000 Functions Introduction ....................17 Features of the DVS-9000 Production Switcher System......19 Video Processing Flow .................21 Signal Selection .....................22 Basics of Signal Selection ..............23 Bus Selection ..................23 Signal Assignment and Selection ............26 Signal Name Display................30 Transitions.....................31 Selecting the Next Transition ..............31...
  • Page 7 DME Wipe Modify Clear..............77 Frame Memory .....................79 Overview ....................79 Still Image File Functions ..............81 Frame Memory Clip Function ...............84 Image Data Management...............85 Image Data Transfer ................86 Color Backgrounds..................87 Copy and Swap .....................88 Video Process ....................92 Video Process Adjustments of a Primary Input Signal ......92 Video Process Adjustments on a Particular Bus ........92 Video Process Memory .................93 Digital Multi Effects (DME) ................94...
  • Page 8 Master Timelines .................165 Snapshots.....................166 Snapshot Types..................166 Snapshot Attributes ................167 Utility ......................170 Shotbox ......................171 Setup ......................172 Overview of Setup................172 System Setup ..................172 Saving and Recalling Setup Data ............175 Panel Setup ..................176 Switcher Setup..................179 DME Setup ..................182 Setup Relating to DCU Input/Output ..........183 Setup Relating to the Router Interface and Tally Interface....183 Simple Connection to MKS-8080/8082 AUX Bus Remote Panel (Option) ..................185...
  • Page 9 Cross-Point Control Block ..............218 Transition Control Block (Standard Type)..........222 Flexi Pad Control Block (Standard Type) ...........226 Key Control Block................229 Device Control Block (Trackball) ............233 Device Control Block (Joystick) ............238 Device Control Block (Search Dial)............239 Keyframe Control Block ..............242 Numeric Keypad Control Block............245 Fade to Black Control Block ...............247 Auxiliary Bus Control Block (for AUX Buses) ........248 Auxiliary Bus Control Block (for Router Control) ......251...
  • Page 10 Super Mix Settings ..................309 Color Matte Settings...................310 Executing a Transition ................311 Transition Indicator Function ..............311 Setting the Transition Rate ..............312 Pattern Limit..................315 Executing an Auto Transition..............319 Executing a Transition With the Fader Lever (Manual Transition) ..319 Combinations of Auto and Manual Transitions ........320 Non-Sync State..................320 Fader Lever Operation in Bus Fixed Mode.........321 Transition Preview ..................323...
  • Page 11 Key Setting Operations With the Key Control Block ......366 Operations in the Key Control Block ..........366 Key Edge Modifications..............370 Masks....................374 Applying a DME Effect to a Key ............375 Other Key Setting Operations .............377 Key Snapshots.....................379 Key Snapshot Operations ..............379 Key Snapshot Operations Using a Simple Transition Module....381 Chapter 5 Wipes Basic Procedure for Wipe Settings ............384 Wipe Settings Menu ................384...
  • Page 12 Chapter 7 Frame Memory Still Image Operations ................434 Preparations ..................434 Interpreting the Frame Memory Menu ..........434 Selecting an Input Image ..............438 Selecting Outputs and Target Frame Memory ........439 Capturing an Input Image (Freeze)............440 Recalling Still Images .................443 Image Processing.................445 Image Output ..................449 Continuously Capturing Still Images (Record) ........451 Recalling a Continuous Sequence of Still Images (Animation)..452 Frame Memory Clip Operations...............455...
  • Page 13 Chapter 10 Misc Menu, Etc. Misc Menu Operations................484 Port Settings for Control From an External Device ......484 Editing Keyboard Settings..............485 Safe Title Settings ................486 Displaying a List of Transition Rates and Changing the Settings..487 AUX Menu Operations ................489 AUX Bus Settings ................489 Status Menu ....................490 Video Process Settings................491 Appendix (Volume 1)
  • Page 14 Chapter 1 DVS-9000 Functions Introduction ....................17 Features of the DVS-9000 Production Switcher System ......19 Video Processing Flow ................21 Signal Selection ...................22 Basics of Signal Selection ..............23 Bus Selection ..................23 Signal Assignment and Selection ............26 Signal Name Display ................30 Transitions ....................31 Selecting the Next Transition ..............31 Independent Key Transitions ...............34 Transition Types ..................38...
  • Page 15 Relation Between DME Wipes and Other Effects ......76 DME Wipe Snapshots .................77 DME Wipe Modify Clear ..............77 Frame Memory ...................79 Overview .....................79 Still Image File Functions ..............81 Frame Memory Clip Function .............84 Image Data Management ..............85 Image Data Transfer ................86 Color Backgrounds ..................87 Copy and Swap ...................88 Video Process ....................92...
  • Page 16 Regions and Registers ................149 Regions ....................149 Registers ....................150 Keyframes ....................152 Effects ....................152 Saving and Recalling Effects ............153 Effect Attributes ................153 Effect Editing ..................153 Time Settings ..................155 Paths ....................158 Effect Execution ................164 Master Timelines ................165 Snapshots ....................166 Snapshot Types ..................166 Snapshot Attributes ................167 Utility ......................170 Shotbox ......................171 Setup ......................172...
  • Page 17 Overview ...................190 Macro Creation and Editing ..............192 Macro Execution ................195 Macro Timeline .................196 Macro Editing Using Menus .............198 Macro Attachment ................198 Menu Macros ..................202 Color Corrector ..................203 Simple P/P Software .................207 Overview ...................207 Restrictions on Use ................207...
  • Page 18: Introduction

    Introduction This manual is the User’s Guide for the DVS-9000/9000SF Production Switcher system supporting the SDTV signal format only. The DVS-9000 and DVS-9000SF have different numbers of M/E banks and input/output signals, but are otherwise functionally identical. This manual refers to these generically as the “DVS-9000 system,” and describes principally the operation of the system using the CCP-8000 series of center control panels.
  • Page 19 System nomenclature The following terms are used for systems, depending on the combination of installed options, and the signal format. System configuration and features Term for system A system in which the center control panel has 4M/E system four M/E banks A system in which the center control panel has 3M/E system three M/E banks...
  • Page 20: Features Of The Dvs-9000 Production Switcher System

    DME functionality. Powerful external device interfaces By connecting to a Sony routing switcher or similar, a large system can be built. From the control panel, it is also possible to operate other equipment, including VTRs and disk recorders.
  • Page 21 Powerful frame memory functions The frame memory can store 444 frames, and up to eight of these can be recalled simultaneously. Link operation with DME Using the BKDS-9470 DME Board Set (option), a range of DME functions including DME wipes and processed keys can be handled as switcher functions.
  • Page 22: Video Processing Flow

    Video Processing Flow The following illustration shows the flow of operations for carrying out a transition on an M/E bank or the PGM/PST bank. Select current background video (page 22) Select next transition (page 31) Background Keys 1 to 4 Select new background video (page 22) Make key settings (page 45) Select transition type (page 38)
  • Page 23: Signal Selection

    Signal Selection You carry out signal selection with the cross-point buttons in the cross-point control block of each M/E bank or the PGM/PST bank, and the buttons in the auxiliary bus control block. The number of buttons in each cross-point row may be 16, 24, or 32, but here the description is of the 32-button case as an example.
  • Page 24: Basics Of Signal Selection

    Basics of Signal Selection Each of the M/E banks, PGM/PST bank and auxiliary bus control block has 32 cross-point buttons and three reentry buttons (four in the case of the auxiliary bus control block). These buttons are identified by numbers common to all of the banks and block, and a signal is assigned to each number.
  • Page 25 Bank Bus name Cross-point Delegation operation button row PGM/PST Program row – Program bus Preset row – Preset bus DSK 1 bus DSK1 row Turn off the [DSK3] button DSK 2 bus DSK2 row Turn off the [DSK4] button DSK 3 bus DSK1 row Turn on the [DSK3] button DSK 4 bus...
  • Page 26 Bank Bus name Cross-point Delegation operation button row Auxiliary AUX1 to AUX48 buses 1st row, 2nd row Turn on the appropriate bus control buttons in accordance with MONITOR 1 to block the signal assignment MONITOR 8 buses made in the Setup menu. Frame memory source 1 and frame memory source 2 buses...
  • Page 27: Signal Assignment And Selection

    a) Dual background bus mode (see below) can be selected. Dual background bus mode In this mode, the shifted signal on the background A row can be selected on the key 1 row, and the shifted signal on the background B row can be selected on the key 2 row.
  • Page 28 Cross-point button control block button numbers Shift button DSK3 HOLD KSK4 HOLD MCRO MCRO SHIFT ENBL ASGN AUTO HOLD UTIL HOLD 1, 2, 3, 4, ....29, 30, 31 121 123 (first button numbers) 32, 33, 34, 35, ....
  • Page 29 Button numbers in the auxiliary bus control block 2ND button 1, 2, 3, 4, ....29, 30, 31 121 (1st row) LEVEL LEVEL LEVEL LEVEL MCRO MCRO MCRO EDIT DEST UTIL1 UTIL2 SHIFT HOLD HOLD 32, 33, 34, 35, ....
  • Page 30 Note This setting is cleared when you reset the control panel. Assigning a button to the function of disabling cross-point button operation You can assign the button to be used for the operation to the [PRE MCRO] button, in setup. (See Chapter 16, “Overall Control Panel Settings (Config Menu)”...
  • Page 31: Signal Name Display

    For details of the setting, see Chapter 16, “Cross-Point Settings (Xpt Assign menu)” (Volume 2). Note • For details of audio mixers that can be connected, contact your Sony service or sales representative. • When the signal is switched with a snapshot, keyframe, and so on, the audio mixer is not linked.
  • Page 32: Transitions

    Transitions In the M/E banks and PGM/PST bank, the switch from the current video stream (appearing on the corresponding program monitor) to a new video stream is referred to as a transition. Selecting the Next Transition To execute a transition, it is first necessary to decide how the image will be changed as a result of the transition.
  • Page 33 Inserting and deleting a key You can insert one or more of the four keys (downstream keys on the PGM/ PST bank). If you select a key which is already inserted, the transition will delete the key. A simultaneous combination of deleting and inserting keys is also possible. Key 1 Insert Delete...
  • Page 34 Simultaneously changing the background and keys You can change any of the four keys (downstream keys on the PGM/PST bank) and the background at the same time. Key 1 Transition Key 2 Changing the background and key 2 simultaneously Key 1 Transition Key 2 Key 4...
  • Page 35: Independent Key Transitions

    The key priority values go from 1 to 4, with a higher priority key being “in front” as seen on the screen. Priority sequence on the screen Independent Key Transitions What is an independent key transition? In addition to common transitions, it is possible to carry out independent transitions on the keyers of the M/E banks and PGM/PST bank.
  • Page 36 Effect of a common transition In the case shown in the previous illustration, carrying out a common transition produces the following change in the image. Same wipe is applied to Transition type: wipe background and key. Effect of a common transition Effect of use with an independent key transition The key is inserted with an independent key transition as the background changes with a common transition, providing the following result.
  • Page 37 Simultaneous execution If the [AUTO TRANS] buttons for the two transitions are pressed simultaneously, the following is the result. Note that in both cases the common transition is a wipe and the independent key transition is a mix (dissolve). Deleting a key with simultaneous transitions: With the key inserted, it is deleted simultaneously with the two transitions.
  • Page 38 Time offset execution with the key inserted: With the key inserted, it is deleted with the two transitions acting with a time offset. Whichever button is pressed first, when the common transition completes, even if the independent key transition is still not completed, the two end simultaneously.
  • Page 39: Transition Types

    Example 1: When the independent key transition [AUTO TRANS] button is pressed later Common transition Independent key The transition (wipe) start transition (mix) completes with the start key deleted. Example 2: When the common transition [AUTO TRANS] button is pressed later Independent Common The transition...
  • Page 40 NAM (non-additive mix) In this dissolve, the current video and new video signals are compared, and the signal with the higher luminance level is given priority in the output. The current video is maintained at 100% output for the first half of the transition as the new video increases progressively to 100%, then the current video is progressively reduced from 100% to zero in the second half with the new video maintained at 100% output.
  • Page 41 Note When the bus fixed mode is selected with a Setup menu setting, a preset color mix is always carried out in the one-stroke mode. • You can also make a setting such that when a preset color mix is completed, the next transition switches to the previous transition type automatically.
  • Page 42: Executing A Transition

    When, with a key inserted, a key is selected in the next transition Key state preserved Key gradually removed Preset color mix (when set to preserve key state) Wipe A wipe replaces the current video by the new video according to a predetermined pattern.
  • Page 43 It is also possible to combine both methods, taking control with the fader lever of an auto transition which has partly completed, or complete a transition started with the fader lever as an auto transition. By combining common transitions with independent key transitions, different transition types can be applied to the background and keys, for example allowing a key wipe combined with a background dissolve.
  • Page 44 Flip-flop mode BLACK BLACK Bus fixed mode BLACK Fader lever BLACK Buttons lit BLACK BLACK Flip-flop mode and bus fixed mode For details of fader lever operation in bus fixed mode, see page 321. Transition preview With the preview output of the M/E banks and PGM/PST bank, you can check the effect of a transition in advance.
  • Page 45 • When the limit value is set to the maximum 100%, the image changes in exactly the same way as when the pattern limit function is off, but when the transition is completed, the cross-point selections on the background A and B buses do not interchange.
  • Page 46: Keys

    Keys A key is an effect in which a part of the background image is replaced by an image or superimposed text. The signal determining how the background is cut out is termed “key source,” and the signal that replaces the cut-out part is termed “key fill.”...
  • Page 47 Clean mode In a luminance key, linear key or color vector key, you can enable the clean mode. When the clean mode is on, the key source does not affect the key fill, which is added unchanged to the background. This improves the keyed image quality, but means that the part of the key fill signal which is not to be inserted must be completely black, or it will color the background.
  • Page 48 Normal mix: The foreground is cut out with the key signal, and then combined with the background, which has also been cut out with the key signal. Additive mix: The background, which has been cut out with the key signal, is combined with the unshaped foreground.
  • Page 49 Angle Reference color specified by Hue setting Crop Range of colors creating the key signal Range of colors remaining (to be replaced by background signal) as foreground a) The Crop and Angle values do not change even if you use the auto chroma key function. Window adjustment Y balance In normal chroma keying, the key signal is based on the chrominance...
  • Page 50: Key Modifiers

    For details of video adjustment operations and the adjustment items, see “Chroma Key Adjustments” (page 342). Wipe pattern key This uses the wipe pattern selected for a transition as the key source. Key wipe pattern key This uses the wipe pattern selected for an independent key transition as the key source.
  • Page 51 Border This applies a uniform width border to the edge of the key. You can adjust the border width and density. You can also enable the separate edge function, and adjust the top, bottom, left, and right border widths separately. Drop border This applies a border below and to the right for example, of the key.
  • Page 52 Outline This uses the outline of the original key as the key. You can adjust the width and density of the outline. You can also enable the separate edge function, and adjust the top, bottom, left, and right outline widths separately. Emboss This applies an embossing effect to the outline of the key.
  • Page 53 • When the edge type is border, outline, or emboss • When the edge type is normal with soft edge being on • When Fine Key is on Edge fill When a border, drop border, or shadow modifier is selected, you can select a signal to fill these edge effects.
  • Page 54: Key Memory

    Main mask: This uses the signal from the dedicated box generator provided on each keyer, or the signal from the dedicated pattern generator as the mask source. When the box generator is selected, a rectangular mask is formed. You can adjust the positions of the four sides of the box separately.
  • Page 55: Blink

    Blink The blink function provides the following effects. Key blink: The key is inserted and deleted at the specified frequency. You can also set the frequency and the proportion of the cycle for which the key is inserted. Edge blink: Key fill and key edge fill are interchanged at the specified frequency.
  • Page 56: Wipes

    Wipes A wipe is a transition from the current video stream to a new video stream, using a wipe pattern. Changing the background by means of a wipe is referred to as a “background wipe,” and inserting or deleting a key with a wipe is termed a “key wipe.” There are two types of wipe: those that can be selected in a common transition, and those that can be selected in an independent key transition.
  • Page 57: Pattern Mix

    Pattern Mix You can create a new pattern by combining two selected patterns (main and “sub”). Note It is not possible to apply a pattern mix to an independent key transition. For details, see “Pattern Mix” (page 387). Types of pattern mix There are four ways in which patterns can be combined in a pattern mix, as follows.
  • Page 58 Parameter settings Main pattern at 100% Start: Point in the course of the transition at which the main pattern Sub pattern at 100% is at 100% End: Point in the course of the transition at which the sub pattern is at 100% 0.00 100.00 Transition (0.00 - 100.00)
  • Page 59: Wipe Pattern Variation And Modifiers

    Main and sub modifier link function When carrying out a pattern mix, it is possible to link the modifier settings for the main pattern and sub pattern. There are two modes for this function. FULL LINK (fully linked) mode In this mode, all modifier settings are the same for the main pattern and sub pattern.
  • Page 60 Direction You can specify the direction of the wipe: the regular direction is referred to as “normal,” and the other direction as “reverse.” You can also select alternating directions each time the transition is completed (normal/reverse mode). Reverse Normal Split This splits the pattern, making the parts of the wipe move in opposite directions.
  • Page 61 Edge You can apply a border to the pattern, soften the edges, or soften the applied border. In an independent key transition, only the “Soft” setting is available. Soft border Soft Border Border: You can adjust the border width. Soft: You can adjust the edge softness. Soft border: You can adjust the border width, and the softness of the inner and outer edges of the border.
  • Page 62 Angle This carries out a wipe with the pattern in a fixed angle. Angle off Angle on The parameter Angle determines the angle of pattern rotation. A value of –100.00 of the parameter Angle corresponds to one whole turn counterclockwise; a value of +100.00 corresponds to one whole turn clockwise.
  • Page 63 The parameter Angle determines an angle of pattern inclination at the beginning of the transition. • A value of –100.00 corresponds to the angle rotated one whole turn counterclockwise. • A value of +100.00 corresponds to the angle rotated one whole turn clockwise.
  • Page 64 • The parameter H Multi determines the number of pattern replications horizontally, and the parameter V Multi determines the number of pattern replications vertically. • The parameter Shift determines the manner of replication. At a value of –100.00, the pattern of the adjacent odd-numbered column on the left lines up with the central coordinate horizontally.
  • Page 65 the right, and the odd-numbered pairs move to the left. The value +100.00 represents the maximum movement. • The parameter V Offset determines the spacing in the vertical direction. If a negative value is set, the even-numbered pairs of strip and slit move upward, and the odd-numbered pairs move downward.
  • Page 66 Fringe This modulates the pattern, applying waviness in the radial direction to edges. The parameter Speed determines the speed of waves. A value of –100.00 generates the maximum counterclockwise speed of waves, and a value of +100.00 the maximum clockwise speed. Spring As the transition progresses, the edge of the pattern is subjected to barrel or pincushion distortion.
  • Page 67: Wipe Snapshots

    • The parameter Magnitude determines the size and direction of the spiral. A value of –100.00 represents the maximum movement in the counterclockwise direction, and a value of +100.00 represents the maximum movement in the clockwise direction. • The parameter Wave Speed determines the speed of the lateral waves. A value of –100.00 represents the maximum speed to the left, and a value of +100.00 represents the maximum speed to the right.
  • Page 68: Dme Wipes

    DME Wipes A DME wipe is a wipe transition that uses a DME effect to change from one video image to the next. There are two types of DME wipe: those which can be selected for a normal transition, and those which can be selected for an independent key transition. For independent key transitions, see page 34.
  • Page 69 Slide: The new video slides in over the old video. (Pattern numbers: 1001 to 1008 (one-channel mode), 2601 to 2608 (two- channel mode)) Squeeze: The new video appears squeezed over the old video, and progressively expands to cover it. (Pattern numbers: 1021 to 1031 (one-channel mode), 2621 to 2628 (two- channel mode)) Split: The old video splits, and the new video appears in the gap.
  • Page 70 Picture-in-picture: The one-channel mode and two-channel mode differ as follows. In one-channel mode, this completes in two transitions. In the first transition, the old video shrinks, and the new video appears behind it. In the second transition, the old video expands again until it is its original size.
  • Page 71 In three-channel mode, a brick appears over the old video as the image is expanding and rotating, and switches to the new video. (Pattern number: 3601 (three-channel mode)) User programmable DME: Using a DME keyframe effect created with a keyframe operation, this executes a DME wipe. (Pattern numbers: 1901 to 1999 (one-channel mode), 2901 to 2999 (two- channel mode), 3901 to 3999 (three-channel mode)) For details of creating keyframe effects, see “Creating User...
  • Page 72 Transition mode “Compress” The change in the image when the transition mode is set to “Compress” is as follows, in comparison to the case of “Picture-in-picture.” • Example of the image change in the transition mode “Picture-in- picture” (one-channel mode) First stroke Second stroke •...
  • Page 73 At the first transition completion point, if you move the image with the positioner, the transition appears as in the following figure. First transition Transition start completion point Transition end Image created by interpolation Background A Background B Effect execution State before modification Transition mode “frame in-out H”...
  • Page 74 First transition completion point Transition start Transition end Image created by interpolation Background A Background B Effect execution State before modification Transition mode “frame in-out V” This mode is specified when creating a transition effect in the vertical direction. In this mode, in the state at completion of the first transition, you can move the image with the positioner in both horizontal and vertical directions.
  • Page 75 At the first transition completion point, if you move the image with the positioner, the transition appears as in the following figure. First transition Transition start completion point Transition end Image created by interpolation Background A Effect execution Background B State before modification Signals forming part of the background for a DME wipe...
  • Page 76: Dme Wipe Pattern Variation And Modifiers

    For details, see “Interfacing With External Devices (Device Interface Menu)” in “Setup Relating to Switcher Processor” section of Chapter 16 (Volume2). DME Wipe Pattern Variation and Modifiers You can modify the selected DME wipe pattern in the same way as an ordinary wipe pattern, as follows.
  • Page 77: Relation Between Dme Wipes And Other Effects

    • 2851 to 2854, 2861 to 2864 When these pattern numbers are selected, you can set the pattern position for each channel setting when the first transition completes. Pattern limit: You can restrict the range of the transition as desired. However, this is not available for a DME wipe in the independent key transition control block.
  • Page 78: Dme Wipe Snapshots

    Relation to processed keys When using the DME for a processed key, if you select a DME wipe, an available DME is automatically allocated to the DME wipe. If all of the DME channels are in use, then it is not possible to select a DME wipe. If in a Setup menu a setting has been made for DME allocation, that Setup menu setting takes precedence (see “Setting the assignments of DME channels to use on the individual M/E banks”...
  • Page 79 For details of the menu operation to return the DME wipe state to that set in initial status, see “Returning to default state in function groupings” (page 284). DME Wipes...
  • Page 80: Frame Memory

    Frame Memory Overview Frame memory is a function whereby a frame of input video can be frozen and written to memory, for further use as material for editing. You can also play recorded frame memory clips (movies). Frame capacity The memory capacity for freeze images is a maximum of 444 frames. For details of operations, see “Still Image Operations”...
  • Page 81 Input Frame memory source bus 1 Frame memory source bus 2 Output Pair mode By enabling the pair mode, you can link FM1 and FM2, FM3 and FM4, FM5 and FM6, and FM7 and FM8. For example, when a freeze or image processing is carried out on FM1, the same operation is carried out on FM2.
  • Page 82: Still Image File Functions

    Notes • When the system is powered off, the folder names are deleted. The folder names need to be saved on media. • The following names cannot be used for folders. Flash1, Flash2 CON, PRN, AUX, CLOCK$, NUL, COM0, COM1, COM2, COM3, COM4, COM5, COM6, COM7, COM8, COM9 LPT0, LPT1, LPT2, LPT3, LPT4, LPT5, LPT6, LPT7, LPT8, LPT9 A folder named “Default”...
  • Page 83 Saving a still image (store) You can save an image in temporary memory which has been placed with the freeze function as a file in memory. You can save a single image in a single file and apply a name of up to eight characters to the file. Note The following names cannot be used: CON, PRN, AUX, CLOCK$, NUL, COM0, COM1, COM2, COM3, COM4,...
  • Page 84 MIX: Mix the background image with the signal selected on the frame memory source bus or color matte signal. The mix ratio can be set. NAM: Non-additive mix the background image with the signal selected on the frame memory source bus or color matte signal. Image output Moving the output image (reposition function) For up to two channels of FM1 to FM8 (one from FM1, FM3, FM5 and FM7...
  • Page 85: Frame Memory Clip Function

    Recalling a continuous sequence of still images (animation) You can use a continuous sequence of images captured with the record function as keyframes to create an effect. By executing this effect you can recall the continuous sequence (animation). Notes • For example, to create an effect using FM1, FM1 must be assigned to a user region.
  • Page 86: Image Data Management

    The above settings can be saved in a snapshot register as snapshot attributes, and recalled. Clip transitions A frame memory clip (movie) is played back, linked to a transition using a mix (dissolve) or wipe. The following restrictions apply to the use of a clip transition. •...
  • Page 87: Image Data Transfer

    Separate: You can also separate a pair file into two single still image files or clip files. Image Data Transfer Files can be transferred between such devices as a hard disk and memory card. In the File menu, files can be saved and recalled. It is possible to import images such as BMP files or convert frame memory files into a different format and save them in an external device.
  • Page 88: Color Backgrounds

    Color Backgrounds The dedicated generators generate color signals, and these can be used as color backgrounds in video effects. Color background selection There are two color backgrounds, color background 1 and color background 2, which you use by assigning to cross-point buttons. Color combinations (“color mix”) The color generators can output the result of combining two colors, which are color 1 and color 2.
  • Page 89: Copy And Swap

    Copy and Swap You can copy and swap the settings among the M/E-1 to M/E-3, and PGM/PST banks or between keyers. The following settings can be copied or swapped. • Overall settings for the M/E-1 to M/E-3, and PGM/PST banks •...
  • Page 90 There are no such restrictions on a swap. Keyer copy and keyer swap You can carry out copy and swap operations among the 16 keyers listed in the following table. Target bank Target keyer Target data M/E-1 Keys 1 to 4 Key settings excluding the following data M/E-2 items:...
  • Page 91 Target bank Target data M/E-1 DME wipe settings. M/E-2 It is not, however, possible to carry out copy or swap involving M/E-3 independent key transition DME wipe settings. PGM/PST DME wipe copy and DME wipe swap in the independent key transition control block You can copy and swap the DME wipe settings among the 16 keyers listed in the following table.
  • Page 92 Target bank Target keyer and data DME ch1 to ch8 • Background • Border • Sepia • Light • Shade • Drop shadow (other than DME ch4 and DME ch8) • Trail DME channel copy and swap You can copy and swap the channel data among DME channels 1 to 4 or DME channels 5 to 8.
  • Page 93: Video Process

    Video Process The term “video process” is applied to adjustments to the luminance and hue of the input video signal. There are two types of adjustment, depending on the application: • Adjustment of an individual primary input signal • Image effects on a particular bus Note These types of adjustment may be carried out independently.
  • Page 94: Video Process Memory

    Making the adjustments Adjust VIDEO GAIN, Y GAIN, BLACK LEVEL, C GAIN, and HUE DELAY in the following menus. Applicable bus Menu used for operation See page M/E-1 to M/E-3 Key fill buses for keys M/E-1 to M/E-3 menus page 364 banks 1 to 4 Background A and B...
  • Page 95: Digital Multi Effects (Dme)

    Digital Multi Effects (DME) DME allows you to add three-dimensional effects such as image movement, rotation, magnification and shrinking, as well as a wide variety of special effects. DME is the general name for all of these effects. You can use up to eight channels as dedicated DME channels. Each channel can be used on its own or in combination with other channels, which allows you to create advanced effects with more complexity.
  • Page 96: Three-Dimensional Transformations

    – “Setting the AUX bus output and reentry input” (see Chapter 16 (Volume • On the MVE-9000, the method of combiner channel selection is different from that on the BKDS-9470. See “Combiner Settings” in Chapter 11 (Volume 2). Three-Dimensional Transformations Transformation is the process of placing a video image in a three-dimensional DME coordinate space and subjecting it to manipulations such as movement, rotation, magnification or shrinking.
  • Page 97 For example, as shown in the following figure, the image moves in a different direction when you move it along the x-axis of the source coordinate space and along the x-axis of the target coordinate space. Source coordinate space Target coordinate space Movement along the x-axes of the source coordinate space and target coordinate space Local coordinate space and global coordinate space...
  • Page 98 The standard values of parameters are as follows, depending on the aspect ratio of your monitor (4:3 or 16:9). Values for 4:3 mode • Origin at center of image (source coordinate space) or center of monitor (target coordinate space) x = 0.00, y = 0.00, z = 0.00 •...
  • Page 99 • Lower left corner of image or monitor x = −4.00, y = −2.25, z = 0.00 y-axis z-axis + +2.25 x-axis –4.00 +4.00 x-axis z-axis − –2.25 y-axis The plus direction on the z-axis is depth into the image or monitor screen. Values for x-, y- and z-axes (16:9 mode) Limits of three-dimensional parameters The following table shows the limits of three-dimensional transformation...
  • Page 100 Detents The system defines points called detents at regular intervals on the three- dimensional space. Pressing the [CTR] button in the device control block sets the current three-dimensional parameter values to the closest detent points. (For details, see “Three-Dimensional Transformation Operations” in Chapter 11 (Volume 2).) The following table shows the interval between successive detents for each transformation operation mode (see page 100).
  • Page 101: Transformation Operation Modes

    Resetting of parameter values set in the source coordinate space In some transformation operation modes, if you switch to the target coordinate space after setting up a three-dimensional transformation in the source coordinate space, the setting values in the source coordinate space (three- dimensional parameter values) are converted to values in the target coordinate space (source/target conversion).
  • Page 102 Image movement in the target coordinate space Movement on the x-axis Movement on the y-axis Movement on the z-axis Rotation Rotates the image on the x-axis, y-axis, or z-axis. The type of rotation differs depending on whether you are manipulating the image in the source coordinate space or the target coordinate space.
  • Page 103 the image in the source coordinate space or the target coordinate space. (The way the image rotates around an axis is the same as in Rotation mode.) Axis Location Moves an axis of rotation in the source coordinate space. Axis movement Movement on the x-axis Movement on the y-axis Movement on the z-axis...
  • Page 104 Magnification and shrinking in the target coordinate space Aspect In the source coordinate space, changes the aspect ratio in the x-axis direction and y-axis direction, either independently or simultaneously. Change of aspect ratio in Change of aspect ratio in Simultaneous change x-axis direction y-axis direction aspect ratio in x-axis...
  • Page 105: Graphics Display

    Skew In the source coordinate space, change the skew of the image on the x-axis or y-axis. Change of skew on x-axis Change of skew on y-axis Graphics Display Graphics display is a function that allows you to display wire frames, coordinate axes and a grid over the current DME image, to make it easier to create effects in three-dimensional coordinate space.
  • Page 106 current wire frame. For example, “1F” means the front of the wire frame on channel 1 in local coordinate space. • In global coordinate space, the channel number is displayed along with “G” to indicate global. For example, “G2” means channel 2 in global coordinate space.
  • Page 107: Three-Dimensional Parameter Display

    Wire frame Range displayed on normal monitor screen To automatically erase the graphic display Turn Auto Erase on. The graphic display is erased automatically whenever a keyframe is executed. It is displayed again after the keyframe ends, after the time set in Recovery Time. Flex Shadow center axis When using the Flex Shadow function (see page 109), turn Flex Shadow Axis on to display the Flex Shadow center axis.
  • Page 108 Border This effect adds a border to the image frame. You can adjust the width (or thickness) of the border, its color, and the softness of the border edges. Crop This effect crops away the edges of the image. You can crop the top, bottom, left, and right sides individually or all together.
  • Page 109 Blur Applies a rounded blurring to the whole image. Beveled Edge This gives an image a beveled edge. You can set the edge width and color. The inner edge softness and edge boundary softness can also be set. Color Light Key Border This effect adds borders to keys or gives a key consisting of an outline only.
  • Page 110 Examples of Art Edge source Gradation Matte Radial Gradation Rainbow Matte Radial Rainbow Example effect using Art Edge source [Rainbow Matte] Note The Art Edge function is not supported on the MVE-8000A. Flex Shadow This effect allows a shadow to be added to the image using only one DME channel.
  • Page 111 – Internal: Generate shadow using an internally generated, full-size DME key signal. • Shadow shrinking and magnification • Shadow position • Shadow color and density • Center axis of deformation • Shadow slant and perspective External Internal Note The Flex Shadow function is not supported on the MVE-8000A. Wipe crop This effect crops the video image to be visible inside or outside a wipe pattern.
  • Page 112 Color mix This is a combination of two colors with a pattern generator. This color mix signal can be used to fill parts such as a background or border. Color 2 Color 1 Note The Color Mix function is not supported on the MVE-8000A. Multi Move Shrinks the image and lines up a number of copies vertically and horizontally.
  • Page 113 Posterization Coarsens the luminance gradations of the image, for a painting-like effect. You can specify the degree of luminance coarsening. Solarization Like the Posterization effect, creates a painting-like effect, but does so by coarsening the chroma gradations of the image. You can specify the degree of chroma coarsening.
  • Page 114 Sketch Provides a sketch-like effect based on the outlines of the image, using different touches such as sketch, edge color, drawing, relief, and sharp. Sketch Metal Provides a metallic gloss like that from gold, silver, or a rainbow colored surface. A metallic gloss can also be given to a freely selected color. Dim and Fade Dim makes the picture progressively dimmer into its depths.
  • Page 115 Note The Dim and Fade function is not supported on the MVE-8000A. Glow Softens the edges of highlights, giving an effect like being struck by a soft light. Mask Masks part of the image so that special effects are applied only inside a selected pattern.
  • Page 116 Time Strobe: Freezes the input video at specified intervals for a specified length. Film: Slows the apparent frame rate, for an effect like film. You can specify the ratio of advancement. For Hard Freeze and Time Strobe, you can select the first field or the frame as the freeze timing.
  • Page 117 There are two modes: H&V and Size. You can set the size and frequency of waves in the image, the wave form, the amount of wave movement, and the range. In H&V mode, you can also set the wave angle. Flag Applies an effect like a flag waving in the wind.
  • Page 118 parameters. In Shape mode, you can select ripple shapes other than circles (stars, etc.). Rings Partitions the image into rings that rotate while moving in the same direction. You can set the degree of transition, the degree of randomness in the distance moved by each block, the amount of movement, the width of the partitions, the degree of randomness in partition width, the center point, the starting angle, and other parameters.
  • Page 119 You can set the degree of transition, the degree of randomness in the distance moved by each block, the direction of movement, the width of the partitions, the degree of randomness in partition width, the partition angle, and other parameters. Blind Divides the image into bars or wedges, with blocks rotating like the slats of venetian blinds.
  • Page 120 You can set the degree of transition, the degree of randomness in the distance moved by each block, the degree of sliding, block width, block angle, and other parameters. Mirror Partitions the image vertically and horizontally, creating an image like a reflection in a mirror.
  • Page 121 You can set the number of blocks, the partition reference point and angle, horizontal and vertical offsets, a reflection position, and other parameters. Lens Creates an image like a view through a lens. You can set the shape and aspect ratio of the lens, the angle, the magnification ratio, the curve ratio, the size, the center position, and other parameters.
  • Page 122 You can set the horizontal and vertical curve ratio, and the curve center position. Page Turn Turns the image like a turning page. There are four modes: H&V, H, V, and Off. You can select the turn position, the radius of the turned portion, the amount and angle of turning, and the input video for the front and back pages.
  • Page 123 You can set the degree of winding onto the cylinder, the radius, the horizontal position of the wound image, and front and back side output for the image. Sphere Winds the whole image onto a sphere. You can set the degree of winding onto the sphere, the radius, the horizontal position of the wound image, and front and back side output for the image.
  • Page 124 You can set the amount of swirl, the swirl region, the amount of rotation, and the swirl center position. Melt Melts the image away from a specified part. You can set the degree of transition, the degree of extension in the image, the jaggedness of the melting sections, and the amplitude, frequency, amount of movement, and speed of the melting sections.
  • Page 125 Plane: Illumination of the entire screen. Bar: Bar illumination. You can specify the width and angle of the bar, and its softness. Preset: Lighting pattern suitable for nonlinear effects. When Bar is selected, the following modes can be selected. Normal Specular Normal: Emphasizes the bar highlight area.
  • Page 126 Example 1: When Flex Shadow is enabled on both of two channels. Video Video Over Over Over Under Under Under Shadow Shadow No combine shadow is set. Over Over Over Under Under Under Over Over Over Under Under Under Combine shadow is enabled. Combine shadow is enabled.
  • Page 127 Trail Recursively freezes the input video at regular intervals so that a trail of afterimages is created. You can make the afterimages stardust trails. Note Of the three effects of trail, motion decay and keyframe strobe, only one can be on at a time.
  • Page 128 Note The Wind function is not supported on the MVE-8000A. Spotlighting Creates the effect of a spotlight striking the surface of the image. You can set up to three light sources (lights 1 to 3). Notes • The Spotlighting function is not supported on the MVE-8000A. •...
  • Page 129 • Test sphere function A test sphere is a translucent sphere virtually embedded in the center of the input picture to provide an intuitive way for you to check the position and direction of the spotlight. When you change the position or direction of a light source, the side of the sphere closest to the light source grows brighter.
  • Page 130 Original image Repetition in X Repetition in Y Repetition in X and Y direction direction directions Setting lights • Light source types The following type of light sources are available (see figure). Parallel: Parallel light source Point: Point light source. As the light source is placed further away, the illuminated range becomes wider and the light become weaker.
  • Page 131 Spotlight Image before movement Coordinate axis = Source Coordinate axis = Target Spotlight moves together Spotlight does not move, with DME image. even if DME image moves. • Selecting the lighted area You can select the area lit by the spotlight. FRGD: The light strikes the image foreground.
  • Page 132 • Ring settings Shines the light with a hole in the middle, like a doughnut. Adjust the following parameters. Offset: Distance to move the center of the ring from the initial position (the position set when selecting the light source in the <Spot Mode> group).
  • Page 133 The following figure shows the relationships between the longitude and latitude of parallel rays, input picture, and test sphere. Z-axis Parallel rays Latitude=+0.25 Latitude X-axis 0.00 Longitude 0.00 Input picture Y-axis Test sphere Latitude=−0.25 The unit of these direction parameters is the number of rotations, with 360° (1 rotation) expressed as 1.00, in the same way as 3D rotation parameters.
  • Page 134 KF1 = 0.88 KF2 = 0.12 Test sphere KF2 = 1.12 Keyframe trajectory User texture pattern In the spotlighting function, a user generated texture pattern can now be selected for the pattern with which the light falls on the image surface. To add a texture pattern, create a texture package from a bitmap file, and install The installed texture pattern can be selected in the same way as the texture patterns provided by default.
  • Page 135 Separate Sides Applies separate video signals and key signals to the front and back of the image. Front Back Front and back sides Shaped Video For each of the front and back sides of the image, specifies whether to handle input video from the switcher as shaped video (key processed signals).
  • Page 136: Interpolation

    Interpolation Specifies the methods used for interpolation processing of input video signals and input key signals. For input video signals, you can select from the following four methods. • Detect changes in the luminance and chrominance signals separately, and switch automatically between fields and frames. You can select the degree of change detection.
  • Page 137 The following types of global effects are available. Combiner When multiple channels are selected on one keyer or for one transition, the Combiner automatically combines the selected images. Up to four channels can be combined. You can also control the way in which the combination is carried out, as a mix or an overlap with priority set automatically.
  • Page 138 Combination of Ch1, Ch2, and Ch3 Combiner Combination of Ch1 and Ch2 / combination of Ch3 and Ch4 Combiner Combiner Digital Multi Effects (DME)
  • Page 139 Combination of Ch1, Ch2, Ch3, and Ch4 Combiner Mixing Ch1 and Ch2 Mix1 If the Mix1 setting is 70, the proportion of the channels in the mixed portion in the previous illustration is as shown in the following table. Combination Indication in figure Ch1 and Ch2 Mixing Ch1, Ch2, and Ch3...
  • Page 140 If the Mix1 setting is 70 and the Mix2 setting is 40, the proportions of the channels in the mixed portions in the previous illustration are as shown in the following table. Combination Indication in figure Ch1 and Ch2 – Ch2 and Ch3 –...
  • Page 141 Brick This effect creates a rectangular parallelepiped from 3 successive channels. The Brick effect can combine Ch1, Ch2, and Ch3, or combine Ch2, Ch3, and Ch4. The three images are displayed as shown in the following figure. Upper side Height Side V Side H An example of the Brick effect...
  • Page 142 Digital Multi Effects (DME)
  • Page 143: External Devices

    The following is an outline of external device control. For external device control operations, see Chapter 12 “External Devices” (Volume 2). For details on the devices that can be connected, consult your Sony representative. Shared Functions for External Device Control...
  • Page 144: Control Of P-Bus Devices

    The following keyframe functions cannot be used. • KF LOOP, EFFECT LOOP, REVERSE, NORMAL/REVERSE • PATH Saving to registers Set the data for controlling external devices in the Device menu. You can save the set data in keyframe, snapshot, or shotbox registers. You can recall the register in which the data is saved, and carry out operations on it with the keyframe control block.
  • Page 145: Control Of Gpi Devices

    P-Bus trigger mode actions The actions that can be used in P-Bus trigger mode are as follows. • Store • Recall • Trigger For details of the buttons assigned to each action, see Chapter 12, “External Devices” (Volume 2). P-Bus timeline At a keyframe point on the P-Bus timeline, you can set an action (setting what action command is output to which device).
  • Page 146: Vtr/Disk Recorder/Extended Vtr Control

    The data set in the Device menu are saved in a keyframe effect register. When you recall this register and start execution of the keyframe effect, and advance the effect to the keyframe point for which the GPI output is set, a trigger pulse is output to the external device from the specified GPI output port.
  • Page 147 (Standard Type)” (page 222) and “Transition Control Block (Compact Type)” (page 270). • Setting a start point: For each selected VTR/disk recorder/Extended VTR you can set the start point timecode value as keyframe data. • Setting a stop point: For each selected VTR/disk recorder/Extended VTR you can set the stop point timecode value as keyframe data.
  • Page 148 • Stop • Cue up • Variable speed Notes • For a disk recorder, the maximum number of files for a single register is eight. • The timeline does not support loop and recue. For the action settings (VTR/disk recorder/Extended VTR timeline editing), use the Device menu.
  • Page 149 File creation To record a new file on the disk recorder, use the Device menu to create a new file. Note In the case of an Extended VTR, it is not possible to record a new file. External Devices...
  • Page 150: Regions And Registers

    Regions and Registers Regions The term “region” refers to some sort of functional block of the system. When saving or recalling snapshot registers and effect registers, or creating or editing effects, you first select the region to which the operation applies. You can also select multiple regions simultaneously.
  • Page 151: Registers

    Reference region When multiple regions are selected, only one region appears in the displays for menu and numeric keypad operations. This is called the “reference region.” The reference region is determined according to the following precedence. M/E1 >M/E2 >M/E3 >P/P >User1 > User2 > User3 >User4 >User5 >User6 >User7 >User8 >DME ch1>DME ch2 >DME ch3 >DME ch4 >DME ch5 >DME ch6 >DME ch7 >DME ch8 >Device1 >Device2 >Device3 >Device4 >Device5 >Device6 >Device7 >Device8 >Device9...
  • Page 152 200 range, select two consecutive channels for the regions, as for example [DME1] and [DME2]. Similarly, for registers in the 300 range, select three consecutive registers. Work register This is a temporary register used when editing keyframes. When you recall an effect, it is read from the effect register into the work register, and when you save, the contents of the work register are written to the effect register.
  • Page 153: Keyframes

    Keyframes A keyframe represents an instantaneous state of an image; it can be saved and recalled for reuse. Effects By arranging a number of keyframes on the time axis, and interpolating between successive keyframes, you can create an effect in which there is a continuous change from each keyframe to the next.
  • Page 154: Saving And Recalling Effects

    Saving and Recalling Effects To create a new effect, first recall an empty register, then create the keyframes one at a time in this register. To run an effect, it is also necessary to set the time and the path. To edit an existing effect, recall the register holding the effect, then make the changes.
  • Page 155 You can edit either on a keyframe within the effect, or at any point between keyframes. Insert: Insert the current image as a keyframe. Inserting a keyframe in an existing effect may change the duration of the effect (see page 156). Modify: Modify a keyframe.
  • Page 156: Time Settings

    Difference in the effect of a paste operation Variable duration mode: The copied keyframe is inserted at the specified position. Constant duration mode: The copied keyframe is written over the specified position. Transition mode You can use an effect created with keyframes as a DME wipe pattern on the switcher.
  • Page 157 The effect duration may also be changed by inserting or deleting keyframes. Changes in the effect duration caused by inserting a keyframe • When the effect is stopped on a keyframe, inserting a keyframe increases the effect duration by the duration of the inserted keyframe. •...
  • Page 158 Changes in the effect duration caused by deleting a keyframe • When the effect is stopped on a keyframe, a delete operation deletes the keyframe, and reduces the effect duration by the duration of the deleted keyframe. • When the effect is stopped between two keyframes, a delete operation deletes the preceding keyframe, and reduces the effect duration by the duration of the deleted keyframe.
  • Page 159: Paths

    Delay setting You can set the delay from the time of executing an operation to run the effect, and the effect actually starting (that is, the delay until the first keyframe). You can make this setting in the keyframe control block. (See “Time Settings” in Chapter 13 (Volume 2).) Note that changing the delay does not alter the duration of the effect.
  • Page 160 Item Paths that can be set Wipe/DME Wipe Overall path settings for items relating to wipes and DME wipes are made simultaneously. Wipe Wipe/DME Wipe All Wipe Path for wipes DME Wipe Path for DME wipes Trans – Transition path for each M/E and P/P bank User1 to User8 menus The items that can be adjusted depend on the settings in the Setup menu.
  • Page 161 Item Paths that can be set Color Bkgd Overall path settings for color backgrounds are made simultaneously. Color Bkgd All Color Bkgd 1 Paths for color background 1 Color Bkgd 2 Paths for color background 2 Overall path settings for color corrector CCR All CCR 1 Path for color corrector 1...
  • Page 162 Item Paths that can be set Overall path settings for items relating to aspect ratio are made simultaneously. Asp All Rate X, Rate Y Paths for the x- and y-axes Skew Overall path settings for items relating to skew are made simultaneously. Skew All Skew X, Skew Y Paths for the x- and y-axes...
  • Page 163 Item Paths that can be set Pers Overall path settings for items relating to perspective are made simultaneously. Pers All Pers X, Pers Y, Pers Z Paths for the x-, y- and z-axes Axis Loc Overall path settings for items relating to image rotation axis are made simultaneously.
  • Page 164 Item Paths that can be set Light Overall path settings for lighting items are made simultaneously. Light All Lighting Path for lighting Spot Lighting Path for spotlighting Trail Path for trails In/Out Overall path settings for items relating to input/ output are made simultaneously.
  • Page 165: Effect Execution

    CCW: The hue changes in a counterclockwise direction as seen on a Vectorscope. Short: The hue changes in whichever of the clockwise and counterclockwise directions is shorter. Long: The hue changes in whichever of the clockwise and counterclockwise directions is longer. Path types for Xpt There are two types, as follows.
  • Page 166: Master Timelines

    Master Timelines You can save the regions selected for a keyframe effect and the register numbers saved in the regions in a master timeline register so that operation can be applied to two or more regions at a time. To save master timeline registers, use the numeric keypad control block or menu;...
  • Page 167: Snapshots

    Snapshots The term “snapshot” refers to a function whereby the various settings required to apply a particular effect to an image are saved in memory as a set of data, for recall as required, to recover the original state. You can carry out snapshot operations using the numeric keypad control block, the Flexi Pad control block in each of the M/E-1 to M/E-3 and PGM/PST banks, and the Snapshot menu.
  • Page 168: Snapshot Attributes

    Note To carry out DME wipe snapshots requires the BKDS-9470 DME Board Set or the MVE-8000A/9000 DME Processor. The rest of this section describes the snapshots that apply to a particular region or regions. Snapshot Attributes An individual snapshot may also have attached special conditions relating to switcher or DME operation when the snapshot is recalled.
  • Page 169 The trigger type depends on the switcher GPI output settings made in the Setup menu. For details, see “Interfacing With External Devices (Device Interface Menu)” under “Setup Relating to Switcher Processor” in Chapter 16 (Volume 2). Clip event: Recall a frame memory clip immediately after the snapshot is recalled.
  • Page 170 Bus override If you recall a snapshot while holding down an A or B bus button, the selection of the signal on the A or B bus does not change when the snapshot is recalled. This function is called “bus override.” This function is effective when cross-point hold is off, and you want to temporarily maintain the cross-point setting.
  • Page 171: Utility

    Utility The utility function refers to a function whereby you can assign an arbitrary action or a shortcut for frequently used menu to a particular button, then instantly recall the action or menu by pressing the button. The functions you can assign include menu shortcuts, enabling/disabling functions (recalling utility commands), and recalling (shotbox registers or macro registers).
  • Page 172: Shotbox

    Shotbox The term “shotbox” refers to a function whereby for each specified region any snapshot or keyframe effect can be recalled simultaneously. The simultaneous recall setting data such as region names, snapshot numbers and keyframe effect numbers are stored in “registers.” There are 99 registers for each control panel.
  • Page 173: Setup

    Setup Overview of Setup Various settings are required, in order to operate the switcher, control panel, DME, external devices, and so on, connected together in a single system. This is referred to as “setup,” and you can carry out the setup operations from the Engineering Setup menu.
  • Page 174 Operation mode setting • Single Proc mode: The control panel controls a single switcher. • Dual Simul mode: The control panel controls two switchers simultaneously. Device hierarchical relationship setting • Panel Assign: Specify the switcher controlled by a control panel. •...
  • Page 175 For details of saving and recalling setup data, see “Saving and Recalling Setup Data” (page 175) and the appendix “Data Saved by [Setup Define] and [Initial Setup Define]” (Volume 2). Autoload function Switch on or off the function to automatically load predetermined register data or frame memory image data at power on.
  • Page 176: Saving And Recalling Setup Data

    Saving and Recalling Setup Data Hard disk / memory card User setup data Load Save File menu: File menu: [Save] [Load] Current setup data (If in Resume mode, settings data is saved.) Store Initialize In Custom mode, power on or reset Setup Setup menu: menu:...
  • Page 177: Panel Setup

    each device is recalled when a reset is made or the power is turned back on. (See “Selecting the start up state (Start Up)” (page 173).) Note that the setup data in RAM can also be saved to the control panel hard disk or memory card.
  • Page 178 Cross-point button settings (Xpt Assign) • Xpt Assign: For each control block or bus, display and set the assignments to the main table and tables 1 to 14. You can also carry out settings to link switcher signal selection to the audio mixer. •...
  • Page 179 This assigns recalling frequently used menus (menu shortcuts), enabling/ disabling functions (recalling utility commands) and recalling shotbox registers or macro registers. • User Preference: Make the settings for the user preference buttons in the menu control block. • Utility Module Assign: Make the utility/shotbox control block settings. •...
  • Page 180: Switcher Setup

    – “Type + Num” name set on routing switcher Names assigned with Xpt Assign can be replaced later with description names. • Name Display: Specify the number of characters for display of the names selected in Source/Dest Name above, as two characters, four characters, or Auto.
  • Page 181 Settings relating to overall switcher configuration (Config) • System Phase: Adjust the switcher internal reference phase. • Switch Timing: Specify the timing of video switching. • M/E Config: Set the program configuration for the M/E and P/P outputs. – Standard mode: Fix the maximum of four outputs (Out1 to 4) and program output configuration as follows.
  • Page 182 Output signal settings (Output) • Output Assign: Assign the signals output from the Output1 to 48 ports. • Video Clip: Adjust the clip levels (White Clip, Dark Clip, and Chroma Clip) for the output signals from each of the Output1 to 48 ports. •...
  • Page 183: Dme Setup

    • Xpt Hold mode: Set the operation mode for the cross-point hold button provided on the key bus for each of the M/E and P/P banks. • Pattern Limit Transition: Set the operation mode when the pattern limit is released for each of the M/E and P/P banks. •...
  • Page 184: Setup Relating To Dcu Input/Output

    Output signal settings (Output) These settings are possible only when the DME is an MVE-9000 or SDI- interfaced MVE-8000A. • Monitor Output: Set the signals output from the four monitor output connectors. • Clip Adjust: Adjust the clip levels of DME1 and DME2 outputs. Interface with external devices (Device Interface) •...
  • Page 185 • Matrix Size: Assign the switcher matrix of each switcher processor to S-Bus space, and select the matrix size and positioning level, source address settings, and so on. • External Box: To obtain the signal selection status of external devices with a parallel input, assign a matrix as an external selector in the S-Bus space.
  • Page 186: Simple Connection To Mks-8080/8082 Aux Bus Remote Panel

    Serial tally settings (Serial Tally) Make the serial tally settings, including tally type and source address for each serial tally port. Simple Connection to MKS-8080/8082 AUX Bus Remote Panel (Option) To connect the MKS-8080/8082 AUX Bus Remote Panel to a CCP-8000 Center Control Panel using an S-Bus data link requires a BKPF-R70A Routing Switcher Controller Board or similar primary station and various settings for connection.
  • Page 187: Files

    Files You can save register data, including setup information and snapshot information, as a file on a hard disk or memory card, and recall it as required. You can operate on individual files or registers, or together in a batch. Regarding frame memory, it is possible to capture image data stored in an external device into frame memory.
  • Page 188 Importing or exporting files to or from frame memory Import: Import a file in a different format from hard disk or memory card into frame memory after changing its format. Export: Export a file in a register to hard disk or memory card after changing its format.
  • Page 189 720 pixels 487 pixels Position of small picture Parts discarded when image is too large Section filled with black for a small picture No pixel ratio conversion is performed when images are imported for the SDTV format. When the signal format is 480i/59.94, if you create an image with a size of 720 ×...
  • Page 190 Saving data recalled by autoload At power on, you can automatically recall data previously stored on the hard disk. (Autoload function) The following data can be loaded by the autoload function. • Keyframe effect setting data • Snapshot setting data •...
  • Page 191: Macros

    Macros Overview The term “macro” refers to the function whereby a sequence of signal selections and other operations on the control panel is saved as data in memory, so that it can be recalled as required to automatically execute the same sequence of operations.
  • Page 192 Control block Event Transition standard type • Auto transition and cut for the transition execution control block section • Auto transition and key on/off for the independent key transition execution section • Next transition setting • Transition type selection • Pattern limit on/off •...
  • Page 193: Macro Creation And Editing

    Control block Event Keyframe control block • Effect rewind • Effect execution • Effect fast forward • Selection of effect execution direction Device control block • VTR/disk recorder/Extended VTR/frame memory (trackball) clips start point setting (joystick) • VTR/disk recorder/Extended VTR/frame memory clips playback (search dial) •...
  • Page 194 To add an event to an existing macro, recall the register holding the macro, and create the event you want to add. Note While editing a macro, it is not possible to execute another macro. Creating a macro To include all information associated with an operation when registering a macro event When registering an auto transition operation as an event, you can register the auto transition event to include the transition rate and background A/B bus...
  • Page 195 Macro event execution order: Macro events: Auto insert mode on/off setting You can switch on or off the mode (auto insert mode) in which at the same time that a control panel operation is carried out, the event is automatically saved in a macro.
  • Page 196: Macro Execution

    Recall macro register 2, and Recall register 1. move to another event. Macro being edited (register 2) Newly recalled macro (register 1) Copy contents of register 1 and add after current event (register 2). Contents of register 1 remain unchanged. Macro Execution To execute a macro, recall the register in which the macro is held.
  • Page 197: Macro Timeline

    Step execution (requires a Setup menu setting) By selecting step execution mode in the Setup menu, you can make macro execution pause every time an event is executed. Take operation When a paused macro is restarted, this is referred to as a “Take” operation. Macro take operation using a GPI input You can carry out a macro take operation using a GPI input on the control panel and DCU.
  • Page 198 The following key frame functions cannot be used • KF LOOP, EFFECT LOOP, REVERSE, NORMAL/REVERSE • PATH Saving to a register Set the recall and execute actions for the macros to be registered in the timeline, using the Macro Timeline menu. The setting data can be saved in a register as key frame data.
  • Page 199: Macro Editing Using Menus

    Macro Editing Using Menus Macro Register Editing You can lock, copy, and delete the contents of macro registers, and rename macro registers. Lock: Write-protect the contents of a macro register. Copy: Copy the contents of a macro register to another macro register. Delete: Delete the contents of a macro register.
  • Page 200 Post-macro: Mode in which the macro is executed after carrying out the button function Macro only: Mode in which the button function is not executed, and the macro only is executed The selection of pre- or post-macro mode is carried out in the cross-point control block of the PGM/PST bank or the M/E banks.
  • Page 201 Block Button Device control block (trackball, The buttons to which the same functions as those of joystick) VTR/disk recorder/Extended VTR/frame memory (page 233) clips play, cue, stop, and start tc buttons Device control block (search [PLAY], [CUE], [STOP] and [START TC] buttons dial) Downstream key control block (page 266)
  • Page 202 Notes • After setting a macro attachment to a cross-point button in the auxiliary bus control block, if in the Setup menu you change the assignment of buses to the AUX delegation buttons, the macro attachment setting disappears. • After setting a macro attachment to a button for which you can perform function replacement or function assignment, if you change the function assignment to the button, the macro attachment setting disappears.
  • Page 203: Menu Macros

    Menu Macros The term “menu macro” refers to the function whereby a sequence of menu operations is saved as data in memory, so that it can be recalled as required to automatically execute the same sequence of operations. For more details of menu macros, see “Menu Macros” in Chapter 18 (Volume Menu macro registers The area of memory that holds a menu macro is termed a “menu macro register.”...
  • Page 204: Color Corrector

    Color Corrector The color corrector enables video signal color correction (black balance/white balance adjustment, gamma correction, knee correction, etc.). Note To use the color corrector function requires the BZS-9420 Color Corrector Software. To use the software, you are required to input an install key. For the method of inputting an install key, see “Installation and Device Setup (Install/Unit Config Menu)”...
  • Page 205 Output level Output level White balance adjustment Gamma correction Input level Input level Knee correction Black balance adjustment Unadjusted signal Adjusted signal It is also possible to mask part of the region to be corrected. Secondary color correction For the six colors R (red), G (green), B (blue), Y (yellow), C (cyan), and M (magenta), adjust the luminance and saturation, and also the hue within a range of ±30 degrees of the center value for each color.
  • Page 206 Over Bright point Bright/Middle point Under Dark point Middle/Dark point Dark Middle Bright Input signal luminance level There are three modes for luminance processing, as follows. Tint mode: adding a specified color to the original video signal. Color Modify mode: adjusting the original video signal. Y Modify mode: adjusting the output levels of the input luminance signal.
  • Page 207 Then for the region other than the region whose color you have changed, you can make the following corrections. • Video signal overall gain adjustment • Y signal gain adjustment • Y signal offset adjustment • C signal gain adjustment •...
  • Page 208: Simple P/P Software

    (If the software has been factory installed, the install key is not required.) For the method of obtaining an install key, contact your Sony representative. On that occasion, you may be required to submit the unique device ID of the switcher you are using.
  • Page 209 • A processed key cannot be used. Therefore, it is not possible to apply a DME effect to a downstream key. • As an independent key transition type, wipe and DME wipe cannot be used. Restrictions on executing transitions in the transition control block •...
  • Page 210 Output Fixed assigned outputs connector Standard mode Multi-program mode DSK mode OUT19 Preview Key preview 1 P/P OUT2 OUT20 Clean Key preview 2 P/P OUT3 OUT21 Key preview Clean 1 P/P OUT4 OUT22 Preset Preset Clean 2 a) In DSK mode, the backgrounds that can be selected in the PGM Config menu are restricted to background 1 and background 2.
  • Page 211 Simple P/P Software...
  • Page 212: Chapter 2 Menus And Control Panel

    Chapter 2 Menus and Control Panel Names and Functions of Parts of the Control Panel ......213 Control Panel: Example Configuration 1 (With Standard Transition Modules) ........213 Control Panel: Example Configuration 2 (With Simple Transition Modules) ........214 Control Panel: Example Configuration 3 (With Compact Transition Modules) ........217 Cross-Point Control Block ..............218 Transition Control Block (Standard Type) ........222...
  • Page 213 Menu Organization ................273 About the Top Menu List ..............273 Accessing Menus ................274 Displaying a Menu ................281 Interpreting the Menu Screen ............282 Menu Operations ................283 Switching Between the Main Menu Site and Subsidiary Menu Site 295 Shortcut Menu ...................295...
  • Page 214: Names And Functions Of Parts Of The Control Panel

    Names and Functions of Parts of the Control Panel Control Panel: Example Configuration 1 (With Standard Transition Modules) The DVS-9000 system control panel standard transition modules used in the comprises a number of modules. transition control block. The following illustration shows a typical 32-button, 4-M/E configuration, with Auxiliary bus control block (page 248) M/E-1 bank...
  • Page 215: Control Panel: Example Configuration 2

    Keyframe control block (page 242) Menu control block (page 254) Key control block (page 229) Device control block (page 233/page 238) Memory card/USB adaptor block (page 255) “Memory Stick”/USB connections block (page 256) Utility/Shotbox control block (page 258) Downstream key control block (page 266) Transition control block (standard type) (page 222) Numeric keypad control block (page 245)
  • Page 216 Except for the simple modules, this is the same configuration as in example configuration 1. Control panel configuration 2 (left side) (with simple transition modules) Names and Functions of Parts of the Control Panel...
  • Page 217 Transition control block and Flexi Pad control block (simple type) (page 259) Independent key transition control block (simple type) (page 264) Control panel configuration 2 (right side) (with simple transition modules) Names and Functions of Parts of the Control Panel...
  • Page 218: (With Compact Transition Modules)

    Control Panel: Example Configuration 3 (With Compact Transition Modules) The following illustration shows a typical modules used in the transition control configuration, with compact transition block. Transition control block (compact type) (page 270) Control panel configuration 3 (with compact transition modules) Names and Functions of Parts of the Control Panel...
  • Page 219: Cross-Point Control Block

    Cross-Point Control Block In the cross-point control block, you can All operations except those of the [SHIFT] select the signals to be used in this M/E button are the same as for a module with bank or PGM/PST bank. source name displays. There are also modules without the source name displays shown in the following figure.
  • Page 220 into the video on this M/E bank or Background B row: Press the desired PGM/PST bank. button to select the signal as the To select the key 1 fill signal, check background after the next transition on that the right-hand [KEY3] button in this M/E bank or PGM/PST bank.
  • Page 221 c Key bus selection buttons control block. According to the settings made in the menu, the video and key signals KEY3 button: Press this button, turning it are assigned to the cross-point buttons in on, to assign the key 1 cross-point pairs.
  • Page 222 of the source name display, for each source POST MCRO (post macro) button: Use separately. You can set the source name this button to set a macro attachment in display mode and background color in a post macro mode. For setting in macro Setup menu.
  • Page 223: Transition Control Block (Standard Type)

    Transition Control Block (Standard Type) In the transition control block, you can common transition and independent key modify the output of the M/E bank or PGM/ transition operations are possible. PST bank, and perform transitions. Both 9 PRIOR SET button 1 Next transition selection buttons 8 Key status display 2 Transition type selection buttons...
  • Page 224 a Next transition selection buttons the signal with the higher luminance Press these buttons, turning them on, to level is given priority in the output. determine what the next transition will The current video is maintained at apply to. 100% output for the first half of the BKGD: Next transition changes the transition as the new video increases background.
  • Page 225 button to turn it on allows you to use and reverse every time a transition is this as a key frame fader. executed. Transition rate display: This shows the When the VTR/disk recorder/frame “transition rate” (the time from the memory operation mode is enabled in beginning of a transition to its setup, pressing this button stops the completion) set for an auto transition,...
  • Page 226 g KF (keyframe) button Pressing one of these buttons twice in rapid When the VTR/disk recorder/frame succession changes its state so that you can memory operation mode is enabled in make cross-point selections on the setup, pressing this button cues the tape corresponding key bus.
  • Page 227: Flexi Pad Control Block (Standard Type)

    set in the numeric keypad control K-SS STORE (key snapshot store): To block, in the Flexi Pad control block, or save a key snapshot, hold down this in a menu. button, and press the key source name display/key snapshot button m Key source name display/key corresponding to the register you want snapshot buttons...
  • Page 228 1 Mode selection buttons 5 XPT HOLD status display 6 Numeric display 4 UNDO button XPT HOLD WIPE UNDO A B U 1 2 3 4 STORE STATS SNAP TRANS SHOT RATE BNAK SHOT BANK AUTO BANK DISS TRAN MCRO 2 Bank selection buttons 3 Memory recall section a Mode selection buttons...
  • Page 229 b Bank selection buttons DME wipe, a bank number, a register BANK0 (bank 0): Assigns the memory number, a transition rate, and so on in up to recall section to bank 0, of registers 1 to four digits. BANK1 (bank 1): Assigns the memory recall section to bank 1, of registers 11 to 20.
  • Page 230: Key Control Block

    Key Control Block Each of the M/E banks and the PGM/PST any desired keyer. In this control block, you bank includes four keyers (for keys 1 to 4), can adjust and modify keys. and you can delegate this control block to 3 Key fill/key source selection buttons 2 Key type selection buttons q;...
  • Page 231 TRANS: By pressing this button, you can selected in the transition, and this is check the DME channel used for DME filled with the key fill signal. wipes on the M/E or PGM/PST bank. c Key fill/key source selection buttons Also, by pressing this button, then AUTO SEL (selection): Use the signal pressing one of the DME channel...
  • Page 232 selected, this button lights it changes from amber to green and the fifth automatically. and subsequent parameters are assigned to BDR (border): Apply a border of a the knobs, allowing them to be adjusted. uniform thickness to the whole key. f SHOW KEY button DROP BDR (drop border): Apply a While this button is held down, a key...
  • Page 233 j ON AIR indicators l OVERRIDE button These light red when the corresponding To select a DME channel already allocated DME channels are included in the final to another keyer or transition to the program output. currently selected keyer (or transition), hold down this button, and press the DME k Output destination specification channel selection button.
  • Page 234: Device Control Block (Trackball)

    Device Control Block (Trackball) The device control block is used for three- for VTR/disk recorder/frame memory clip dimensional transform operations using a operation. DME, for wipe pattern position setting, and 5 MENU button 1 Region selection buttons 3 Trackball M/E1 M/E2 M/E3 USER...
  • Page 235 as the device 1 to device 12 allocation K2 CB2: Press this button to enable wipe buttons as follows. pattern position setting for key 2 [M/E1] (DEV1): device 1 (DSK2). [M/E2] (DEV2): device 2 K3: Press this button to enable wipe pattern [M/E3] (DEV3): device 3 position setting for key 3 (DSK3).
  • Page 236 GLB (global): Enable operations in the SHIFT: While holding down this button, DME global coordinate space. pressing the [ASP PERS] button or The [LOCAL] and [GLB] buttons can be [ROT] button switches to the shifted selected at the same time. version of the corresponding function.
  • Page 237 This button cannot be used for frame LOC XYZ (SHTL: shuttle): Pressing this memory clip operations. button and turning the Z-ring plays SRC (REC: record): Press this button at back the tape, disk or frame memory the same time as the [Y] button to start clip at a speed and direction recording.
  • Page 238 When the three-dimensional transform operation mode is enabled Turn this ring to control the z-axis in a three-dimensional transform. When the [SRC] or [TRGT] button is held down, the Z-ring operation is switched to a finer control. (fine mode) When the effect run control mode is enabled By turning the Z-ring, you can run the keyframe effect, independent of the STOP...
  • Page 239: Device Control Block (Joystick)

    Device Control Block (Joystick) All functions of the joystick type device trackball and Z-ring operations are carried control block are equivalent to the functions out with the joystick. of the trackball type, except that the MENU button Region selection buttons 1 Joystick M/E1 M/E2...
  • Page 240: Device Control Block (Search Dial)

    When the VTR/disk recorder/frame clip operation, at a speed determined by the memory operation mode is enabled operating buttons. Moving the joystick sideways controls the tape transport/disk drive/frame memory Device Control Block (Search Dial) Using the device control block (search frame memory clip, or shot box.
  • Page 241 d DELAY button the keyframe number is changed and the last register and keyframe change, When pressed, this button lights green, the the display also changes. (timeline numeric keypad control block display setting mode) changes to DELAY__ : , and you can set When the [TIMELINE] button is off: the start delay time for the selected device.
  • Page 242 When the [TIMELINE] button is rewind, press the [STOP] button or On: stop point of the timeline [ALL STOP] button. When the [TIMELINE] button is PLAY: When pressed, this button lights Off: stop point of Cueup & Play amber, and the device selected with the SET START TC, SET STOP TC, SET device selection buttons plays.
  • Page 243: Keyframe Control Block

    g TIMELINE button i Search dial Press to switch the device selected with the Use this for search and other operations on device selection buttons to timeline setting the material of an external device. mode. For details of the method of use, see “Controlling Tape/Disk Transport”...
  • Page 244 When macro editing is carried out, this current keyframe. Pressing this button button lights red. while holding down the [SHIFT] button inserts a new keyframe before b Edit point specification buttons the current keyframe. GO TO TC (Go to timecode): Press this During macro editing, pressing this button, turning it on, to enter a numeric button registers an event after the...
  • Page 245 g Effect execution section editing, macro event) before the current keyframe (during macro editing, macro RUN: When this button is pressed, the event). effect is run from the first keyframe to SHIFT: Hold down this button, and press the last keyframe. However, if a pause the [INS] button, [MOD] button, or is set on a keyframe, the effect stops at [PASTE] button, to obtain the shifted...
  • Page 246: Numeric Keypad Control Block

    k AUTO INS (auto insert) button function, so that every control panel When editing a macro, press this button, operation you carry out is added to the turning it on, to enable the auto insert macro as an event. Numeric Keypad Control Block The numeric keypad control block is used operation and keyframe operation, and for for region selection, for saving and...
  • Page 247 to set an independent key transition TC (timecode): Press this button, turning it rate. on, to switch transition rate entry to the timecode entry mode. b Region selection buttons STORE: Press this button to switch to the These select the functional block (“region”) mode for saving a snapshot, effect, of the control panel to which operations shotbox or macro in a register.
  • Page 248: Fade To Black Control Block

    e Display This shows the selected region name and entered numeric values. Fade to Black Control Block 3 AUTO button 1 FTB button 2 Preview selection buttons AUTO a FTB (fade to black) button PVW) of the M/E or PGM/PST bank Press this button to fade to black the corresponding to the pressed button is program output of the PGM/PST bank, at...
  • Page 249: Auxiliary Bus Control Block (For Aux Buses)

    c AUTO button the edit preview bus is automatically When this button is pressed, the M/E or switched to the program signal depending PGM/PST bank preview signal selected on on the on-air status. Auxiliary Bus Control Block (for AUX Buses) There are also models without the selected All operations except those of the [DEST] source name displays and source name...
  • Page 250 a AUX delegation buttons c DEST (destination) button Press one of these buttons, turning it on, to Press this button, turning it on, to display select the bus to which to assign the cross- the names of buses allocated to the point buttons in the auxiliary bus control delegation buttons in the selection source block.
  • Page 251 h 2ND button After selecting a bus with an AUX delegation button, hold down this button, and select another AUX delegation, thus allocating a different bus in the 2nd row from the 1st row. i Source name displays These show the names of the source signals which can be selected by the cross-point buttons.
  • Page 252: Auxiliary Bus Control Block (For Router Control)

    Auxiliary Bus Control Block (for Router Control) Press the [RTR] button, turning it on, to assign the auxiliary bus control block to router control. 7 KEY button 8 2ND button 1 Destination selection buttons qa RTR button 2 Selected source name displays 3 DEST button qs Level selection buttons LEVEL...
  • Page 253 mode, then the description names appear Source [SHIFT] [KEY] Selection here. selection operation 63 to 93 Hold down the c DEST (destination) button [KEY] button, and press the Press this button, turning it on, to display source selection the names of the destinations assigned to button.
  • Page 254 appear only while the [2ND] button is held down. j SHIFT button While this button is active, the source name displays show the shifted signal names. Press this button to toggle between the shifted and unshifted states. k RTR (router) button Press this button, turning it on, to assign the auxiliary bus control block to router control.
  • Page 255: Menu Control Block

    Menu Control Block 1 Top menu selection buttons 2 Menu display HOME FRAME COLOR MENU BKGD /MON SITE COPY MISC SWAP MCRO SNAP SHOT FRAME SHOT USER FILE DIAG SETUP SETUP PREFS PREFS PREFS PREFS PREFS PREFS PREFS PREFS 4 User preference buttons 3 Knobs a Top menu selection buttons c Knobs...
  • Page 256: Memory Card/Usb Adaptor Block

    USB interface to any of these connectors. For details on the devices that can be connected, consult your Sony representative. Names and Functions of Parts of the Control Panel...
  • Page 257: Memory Stick"/Usb Connections Block

    Do not power the unit off or remove a “Memory Stick” when the “Memory Stick” For details on the devices that can be status indicator is lit. connected, consult your Sony representative. b “Memory Stick” slot Insert “Memory Sticks.” You can use it in About “Memory Sticks”...
  • Page 258 • “Memory Stick PRO” • “Memory Stick Duo” • “Memory Stick PRO Duo” Notes • When using a “Memory Stick PRO,” high-rate data transfer using parallel interface is not supported. • A “MagicGate Memory Stick” can also be used, but this system does not support the MagicGate function.
  • Page 259: Utility/Shotbox Control Block

    Utility/Shotbox Control Block 1 Bank selection buttons BANK BANK BANK BANK 2 Memory recall buttons a Bank selection buttons button goes off.) In the case of a shotbox Press any of the [BANK1] to [BANK4] function, pressing the button executes the buttons to select a bank of 24 memory recall assigned shotbox function, and the button buttons.
  • Page 260: Transition Control Block And Flexi Pad Control Block (Simple Type)

    Transition Control Block and Flexi Pad Control Block (Simple Type) The simple versions of the transition control block and Flexi Pad control block shown in the following figure is designed to allow simplified operations than with the standard type. The transitions carried out using these simple-type control blocks are also referred to as “simple transitions”...
  • Page 261 qa Numeric display 0 XPT HOLD status display 2 Key transition selection buttons 6 Key status display 1 Transition type selection buttons XPT HOLD OVER OVER A B U 1 2 3 4 KEY1 KEY2 WIPE NORM LIMIT WIPE /REV LIMIT SNAP SHOT...
  • Page 262 Transition Control Block and Flexi Pad Control Block (with INH button) qs INH button XPT HOLD LIMIT A B U 1 2 3 4 LIMIT WIPE NORM WIPE /REV SNAP SHOT TAKE UNDO Memory recall section UNDO button a Transition type selection buttons fades out.
  • Page 263 DME: This applies a wipe-like transition, lever, in a background mix transition, using the DME effect selected in the you can control the background A and DME Wipe menu. B buses independently. FM1&2ClIP, FM3&4ClIP, FM5&6ClIP, Transition indicator: This comprises FM7&8ClIP: A recorded clip is multiple LEDs, which show the played back together with the progress of the transition.
  • Page 264 button, turning it on, enables the the memory recall section for recalling and pattern limit function. executing a macro. f Key status display j XPT HOLD (cross-point hold) status For each of keys 1 and 2, when the key is display inserted, the corresponding ON indicator A bus for which cross-point hold is set...
  • Page 265: Independent Key Transition Control Block (Simple Type)

    Independent Key Transition Control Block (Simple Type) The left side of this control block controls In setup you can assign any key to either key 3, and the right side controls key 4. side of this control block. For details, see The control block for key 3 only is “Assigning Keys to the Independent Key described as an example, but the operations...
  • Page 266 • While this button is held down, you can select a key source with the cross-point buttons for the key bus. • If you press this button twice in rapid succession, the key bus selection button [KEY3] in the cross-point control block lights, and a key 3 key bus cross-point can be selected.
  • Page 267: Downstream Key Control Block

    Downstream Key Control Block 1 Key delegation buttons 5 Key source name display/key snapshot buttons 4 Key snapshot setting buttons DSK1 DSK2 UNDO WIPE K-SS K-SS DSK3 DSK4 SHIFT STORE DSK1 DSK2 DSK3 DSK4 TAKE TAKE TAKE TAKE 2 Independent key transition type selection buttons 3 Independent key transition execution section a Key delegation buttons...
  • Page 268 e Key source name display/key SHIFT: When setting is made in the Setup menu to allow a different transition snapshot buttons type for inserting or deleting a key, it is These display the selected source name for possible to display and set the each corresponding keyer.
  • Page 269: Downstream Key/Fade-To-Black Control Block

    Downstream Key/Fade-to-Black Control Block 4 Key source name display/key snapshot buttons 3 K-SS button 5 FTB button AUTO DSK1 DSK2 K-SS DSK1 DSK2 AUTO AUTO TRANS TRANS 7 Preview selection buttons 2 Independent key transition 1 Key delegation 6 AUTO button execution section buttons a Key delegation buttons...
  • Page 270 g Preview selection buttons switcher), and lights amber at other times. Press one of these buttons to select a signal AUTO TRANS buttons: The left button on the edit preview bus. Each button can be applies to DSK1 and the right button to assigned to any preview output in setup (see DSK2;...
  • Page 271: Transition Control Block (Compact Type)

    Transition Control Block (Compact Type) The compact version of the transition also be controlled with the compact control block shown in the following figure transition control block. has fewer buttons than the standard type. Independent key transition operations can 7 PRIOR SET button 1 Next transition selection buttons 6 Key status display 2 Transition type selection buttons...
  • Page 272 removed, and if it is not currently half of the transition as the new video is inserted, it will be inserted. mixed while increasing progressively In the PGM/PST bank, this inserts or to 100%. The current video is then removes downstream keys 1 to 4. progressively reduced from 100% to KEY PRIOR (priority): When this button zero in the second half while the new...
  • Page 273 amber. When the transition completes, • When the transition completes, the system returns to the normal mode. the button goes off. • The transition preview mode is CUT button: Pressing this button carries maintained while this button is pressed. out the transition as a cut (i.e. •...
  • Page 274: Basic Menu Operations

    Basic Menu Operations Menu Organization Operations on the DVS-9000 switcher system make frequent use of menu operations. This section describes the menus and their interrelationships. Overview All detailed settings for basic operations such as transitions, keys, DME, or wipes, are made in menus. There are also menus for carrying out general system control, managing setting data, and initial setup.
  • Page 275: Accessing Menus

    Accessing Menus You can use any of the following methods to access a menu, and the initially displayed menu page depends on the method used. • Pressing a top menu selection button in the menu control block. This displays the page you last accessed in the particular menu.
  • Page 276 Menus accessed from a top menu selection button Buttons Menus Function HOME Home Recalling menus using the top Top menu list: page 273 menu list or shortcut menu Shortcut menu: page 295 M/E 1 M/E-1 Transition, keys, and wipe page 308 (transitions), page settings for the M/E-1 bank 338 (keys), page 384 (wipes) M/E 2...
  • Page 277 Menus accessed by pressing a button twice For relevant buttons other than the top buttons of each control block, together with menu selection buttons, pressing twice in the menus they recall. (XX represents the rapid succession directly recalls a related HF menu recalled last in the VF menu.) menu page.
  • Page 278 Transition control block (standard type, compact type) Buttons Menus DME (Independent key • M/E-1, 2, 3 >Key1, 2, 3, 4 >Transition >DME Wipe page 423 transition type selection Adjust >1ch Pattern Select button (standard type)) • PGM/PST >DSK1, 2, 3, 4 >Transition >DME Wipe Adjust >1ch Pattern Select K-SS STORE Snapshot >Key Snapshot >XX...
  • Page 279 Key control block Buttons Menus KEY1 • M/E-1, 2, 3 >Key1 >XX page 338 • PGM/PST >DSK1 >XX KEY2 • M/E-1, 2, 3 > Key2 > XX • PGM/PST >DSK2 >XX KEY3 • M/E-1, 2, 3 >Key3 >XX • PGM/PST >DSK3 >XX KEY4 •...
  • Page 280 Downstream key control block Buttons Menus DSK1 • M/E-1, 2, 3 >Key1 >XX page 338 • PGM/PST >DSK1 >XX DSK2 • M/E-1, 2, 3 >Key2 >XX • PGM/PST >DSK2 >XX DSK3 • M/E-1, 2, 3 >Key3 >XX • PGM/PST >DSK3 >XX DSK4 •...
  • Page 281 Device control block (trackball or joystick) Buttons Menus FM1CLIP to FM8CLIP Frame Memory >Clip >Recall – assigned buttons a) When the three-dimensional transformation operation mode is enabled. b) When the [MENU] button is Off. c) When the [MENU] button is On. Device control block (search dial) Buttons Menus...
  • Page 282: Displaying A Menu

    Displaying a Menu To display, for example, the M/E-1 >Key1 the page number of the M/E-1 >Key1 >Type menu, which is 1111, and press >Type menu, use either of the following the [Enter] button. operations. • Press the top menu selection button [M/E For details of the menu page numbers, see 1], then press the VF1 ‘Key1’...
  • Page 283: Interpreting The Menu Screen

    d HF buttons Interpreting the Menu These indicate the items within the menu. Screen Depending on the selected item, the menu indications change. Depending on the function, if any one is on, The menu screen consists of the following the status is shown by an orange bar, as in principal parts.
  • Page 284: Menu Operations

    parameters, which can then be controlled • Function grouping: the functions within an HF menu under the VF button by the knobs. • Knob parameters (parameters currently h Knob parameter buttons controlled by the knobs) These show the parameters currently l b (previous) button and B (next) controlled by the knobs and their values.
  • Page 285 Lit pale blue: The function is enabled, and Setting parameters the parameters can currently be adjusted with the knobs. Lit orange: The function is enabled. Lit purple: Execution button. Pressing the button immediately executes the function. (Example: [Auto Start] This marking on a function button indicates button in the Chroma Adjust menu) that there are parameters which can be adjusted with the knobs.
  • Page 286 This returns the settings within the Press the knob parameter button you function grouping to the default state, want to return to the default state. and the [Default Recall] button goes This returns the knob parameter value off. to the default state, and the [Default Recall] button goes off.
  • Page 287 Top menu selection button VF number Menu number Menu name name (HF number) M/E2 1210-series Key1 1220-series Key2 1230-series Key3 1240-series Key4 1250-series Wipe 1260-series DME Wipe 1270-series Misc M/E3 1310-series Key1 1320-series Key2 1330-series Key3 1340-series Key4 1350-series Wipe 1360-series DME Wipe 1370-series...
  • Page 288 Top menu selection button VF number Menu number Menu name name (HF number) 4110-series Edge 4120-series Video Modify 4131 Freeze 4141 Non-Linear 4150-series Light/Trail 4160-series Input/Output 4170-series Enhanced Video Modify GLB EFF 4210-series Ch1–Ch4 4220-series Ch5–Ch8 KEY FRAME (HF3) 6113 Path a) Menu to return to the default settings for particular functions or for particular knob parameters (for the relevant knob parameters, see page 287)
  • Page 289 Knob parameters to which default recall does not apply Menu name Button name Knob Parameter Menu number 1116 Transition [Wipe] in <ON Transition Type> Transition group Rate Pattern [Wipe] in <OFF Transition Type> Transition group Rate Pattern [Key Blink] and [Edge Blink] in Blink Rate <Blink>...
  • Page 290 Knob parameters subject to restriction on default recall Menu number Menu name Button name Knob Parameter Transition >DME [Position] 1116.3 Wipe Adjust Edge Direction [Position] Position H 1154.1 >Matte Adjust Position V Main Modify [Position] in the <Position> group 1155 Main Modify [Position] 1155.1...
  • Page 291 Numeric keypad window You can enter a timecode value in the range that depends on the signal format (see page 173) as follows: 00:00:00:00 to 23:59:59:nn, 1 Item display where nn = (number of frames per 2 Max./min. value indication second) –...
  • Page 292 Keyboard window space, \, /, :, ;, , (comma), . (dot), <, >, Note *, ?, ", | Except when changing source names, the following characters cannot be used. The same applies to macro file editing. 4 BS button 1 Item display 2 Input string 3 Close button qd Line feed...
  • Page 293 j Left button MS-DOS does not distinguish case in filenames, and therefore you are This moves the cursor one character to the recommended to enter filenames in capital left in the input string. letters. k Right button f Shift button This moves the cursor one character to the This selects the characters on the shift side right in the input string.
  • Page 294 a Top menu selection buttons Shutting down the menus These are the same as the top menu selection buttons in the menu control block. In the menu screen, press the menu Pressing one of these buttons closes the top page number button to open the top menu window and displays the selected menu window.
  • Page 295 1Color palette buttons 2Operation buttons 3Color display 4Numeric keypad a Color palette buttons Default: If you press any color palette Press one of these to enter the button with this button held down, the corresponding color in the display. color palette button is set to the default By default the following settings are color.
  • Page 296: Switching Between The Main Menu Site And Subsidiary Menu Site

    Switching Between the Main Menu Site and Subsidiary Menu Site For menu transitions, you can store two separate versions in the main and subsidiary menu sites. By switching sites, and pressing the b button and the B button you can trace the In the [Group Select] box, select the history in each menu.
  • Page 297 Press [Yes]. This deletes the settings. To register a menu on a button You can register 15 buttons in one group. In the Home >Favorites >Shortcut menu, press [Button Edit]. With the cursor, select the group name (in this case a blank button) for the operation.
  • Page 298 To change the button color, press [Color Set]. Button color samples appear. Press the desired color. This completes the assignment of the menu to the button. Repeat steps 2 to 8 to complete the “Favorites” menu. To copy button settings In the Home >Favorites >Button Edit menu, press the copy source button to select it.
  • Page 299 Basic Menu Operations...
  • Page 300: Chapter 3 Transitions

    Chapter 3 Transitions Basic Operating Procedure ..............300 Key Priority Setting ..................303 Setting the Key Priority in the Transition Control Block ....303 Setting the Key Priority by a Menu Operation ........305 Display of the Key Output Status and Key Priority ......306 Selecting the Transition Type by a Menu Operation ......308 Super Mix Settings ...................309 Color Matte Settings .................310...
  • Page 301: Basic Operating Procedure

    Basic Operating Procedure The positions of the principal buttons used for basic transition operation are as follows. 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 BKGD KEY1 KEY2 KEY3 KEY4 Next transition SUPER PRIOR selection buttons...
  • Page 302 For the transition to change the key priority, set the priority for after the transition. For details of the key priority, see “Selecting the key priority” (page 33). For details of the key priority setting operation, see “Key Priority Setting” (page 303).
  • Page 303 – When carrying out a cross fade in some DME wipes (for example, “picture in picture”) – When executing a preset color mix in two-stroke mode • For details of audio mixers that can be used, Sony service or sales representative. Basic Operating Procedure...
  • Page 304: Key Priority Setting

    Key Priority Setting You can select the key priority, that is, the order in which the keys are laid over each other, in the current video and after the transition. There are two ways of setting the priority: either using the [PRIOR SET] button in the transition control block, or using the Misc menu to access the Key Priority menu for the M/E or PGM/PST bank.
  • Page 305 Holding down the [PRIOR SET] button, press the one of the next transition selection buttons [KEY1] to [KEY4] ([DSK1] to [DSK4] buttons in the PGM/PST bank) for the key to appear on top. The selected key now appears on top, on the program monitor. The priority of keys other than the selected one does not change.
  • Page 306: Setting The Key Priority By A Menu Operation

    When the next transition selection button [KEY PRIOR] is on, the selected key appears on top on the preview monitor. The priority of keys other than the selected one does not change. To change the priority of more than one key, repeat the previous operation as required.
  • Page 307: Display Of The Key Output Status And Key Priority

    Changing the key priority for after the transition In the M/E or PGM/PST menu, select first VF7 ‘Misc,’ then HF4 ‘Next Key Priority.’ The Next Key Priority menu appears. For each of <Priority1>, <Priority2>, <Priority3>, and <Priority4>, select a key, to determine the key priority sequence. For details of the key priority sequence, see the figure shown for step 2 in the previous item (see page 305).
  • Page 308 Key priority after the transition: 3, 2, 1, 4 Indicators: 1, 3 (flashing), 2, 1 (flashing), 3, 4 Flashing Flashing 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 BKGD KEY1 KEY2 KEY3 KEY4 Example key status display (showing the key priority after the transition) Key Priority Setting...
  • Page 309: Selecting The Transition Type By A Menu Operation

    Selecting the Transition Type by a Menu Operation You can also select the required transition type by a menu operation. In the M/E or PGM/PST menu, select first VF7 ‘Misc,’ then HF1 ‘Transition.’ The Transition menu appears. Select the required transition type in the <Transition Type> group. The parameter settings can now be adjusted with the knobs according to the selected transition type.
  • Page 310: Super Mix Settings

    Super Mix Settings For an overview of the super mix, see page 39. In the M/E or PGM/PST menu, select first VF7 ‘Misc,’ then HF1 ‘Transition.’ The Transition menu appears. Select [Super Mix] in the <Transition Type> group. Turn the knobs to adjust the output levels. Knob Parameter Adjustment...
  • Page 311: Color Matte Settings

    Color Matte Settings To set the color matte of a preset color mix, use the following procedure. For an overview of the preset color mix, see page 39. In the M/E or PGM/PST menu, select first VF7 ‘Misc,’ then HF1 ‘Transition.’...
  • Page 312: Executing A Transition

    Executing a Transition There are two ways of executing a transition: as an auto transition by a button operation, and as a manual transition using the fader lever. You can also use a combination of these two modes. For an overview of the auto transitions and manual transitions, see “Executing a Transition”...
  • Page 313: Setting The Transition Rate

    Setting the Transition Rate There are two ways of setting the transition rate: using the Flexi Pad control block or numeric keypad control block to enter a numeric value, or using the Misc menu to access the Transition menu for the M/E or PGM/PST bank. You can also display the transition rate, independent key transition rate, and fade-to-black transition rate for each of the M/E and PGM/PST banks, and change the settings.
  • Page 314 mode is converted for display as a timecode value. If the value consists of four or more digits, the last digit is not shown. Example: A value of 9 seconds 23 frames appears as “9.23” and a value of 10 seconds 1 frame appears as “10.0.” Setting the transition rate in the Flexi Pad control block Note In the PGM/PST bank or when using a simple-type transition control block,...
  • Page 315 Press the [ENTR] button. This confirms the entry, and the new setting appears in the transition control block display. Setting the transition rate in the numeric keypad control block TRANS RATE button Numeric keypad Display SNAP SHOT TRANS MCRO UNDO SHOT RATE STORE...
  • Page 316: Pattern Limit

    This confirms the entry, and the selected region name and the set transition rate appear in the numeric keypad control block display. The transition control block display of the same bank (M/E or PGM/PST) also shows the setting. To enter a difference from the current value After pressing the [+/–] button, enter the difference and press the [TRIM] button.
  • Page 317 Notes • A pattern limit only applies when a wipe or DME wipe is selected as the transition type. • A pattern limit cannot be applied to an independent key transition (see page 324). 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 BKBD...
  • Page 318 Press the [Pattern Limit] button, turning it on. Turn the knobs to adjust the following parameters. Knob Parameter Adjustment Setting values Pattern Limit Pattern limit 0.00 to 100.00% a) 0.00%: Executing the transition does not change the video output at all. b) 100.00%: The transition is the same as when no pattern limit is set, but the cross-point button selections of the background A and B buses do not interchange when the transition completes.
  • Page 319 • When you move the fader lever, the transition is carried out from the pattern limit state to the state before the pattern limit transition was carried out. Moving the fader lever even a little synchronizes the fader lever position with the transition state, and you can move the fader lever either in the forward direction or in the reverse direction.
  • Page 320: Executing An Auto Transition

    Executing an Auto Transition 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 BKBD KEY1 KEY2 KEY3 KEY4 SUPER PRIOR Fader lever COLOR WIPE PRIOR NORM TRANS NORM /REV AUTO TRANS LIMIT LIMIT AUTO TRANS button CUT button Transition control block (standard type)
  • Page 321: Combinations Of Auto And Manual Transitions

    To carry out the transition completely: Move the lever over the full range of its travel. To pause a partly executed transition: Stop moving the fader lever. To resume a paused transition: Resume moving the fader lever. Combinations of Auto and Manual Transitions Using the [AUTO TRANS] button, the [CUT] button, and the fader lever, use the following procedures.
  • Page 322: Fader Lever Operation In Bus Fixed Mode

    Once the fader lever is moved to this position, the non-sync state ends, and the next transition (direction shown by the arrow) is possible. Manual transition completed as auto Manual transition completed as transition when moving the fader auto transition when moving the lever upward: Top two LEDs light.
  • Page 323 Next transition Transition direction Fader lever movement On t Off (deletion) Keys 1, 2, 3, and 4 Downward Off t On (insertion) Upward • When a transition applies to a combination of more than one of the background and keys 1, 2, 3, and 4, then the transition for all of these must be in the same direction complying with the above table.
  • Page 324: Transition Preview

    Transition Preview Carrying out a transition preview For an overview of the transition preview, see page 43. In the M/E or PGM/PST bank transition control block, press the [TRANS PVW] button. The [TRANS PVW] button lights green, and the switcher is now in the transition preview mode.
  • Page 325: Independent Key Transitions

    Independent Key Transitions Key source name display/key snapshot buttons Key delegation buttons K-MOD KEY1 KEY2 KEY3 KEY4 K-SS EMBL Independent key transition type K-TR K-SS WIPE ENBL STORE selection buttons KEY1 KEY2 KEY3 KEY4 Independent key transition execution section AUTO AUTO AUTO AUTO...
  • Page 326: Setting The Independent Key Transition Type By A Menu Operation

    transition control block. Separate settings are required both when inserting a key and when deleting it. For example, with the key not inserted, if you select the transition type and carry out a transition, this will be the setting when inserting a key. You can also use the Transition menu to select a desired independent key transition type for each key (see the next section).
  • Page 327: Setting The Independent Key Transition Rate

    Setting the Independent Key Transition Rate There are two ways of setting the transition rate: using the Flexi Pad control block or numeric keypad control block to enter a numeric value, or using the Key menu to access the Transition menu for the M/E or PGM/PST bank. You can also display the transition rate, independent key transition rate, and fade-to-black transition rate for each of the M/E and PGM/PST banks, and change the settings.
  • Page 328 Setting the independent key transition rate in the numeric keypad control block Note You cannot use the numeric keypad control block to set the transition rate for a simple transition. In the numeric keypad control block, hold down the [TRANS RATE] button, and in the independent key transition control block, press the delegation button [KEY1] to [KEY4] ([DSK1] to [DSK4] in the PGM/PST bank) for the key for which you want to set the transition rate.
  • Page 329 Turn the knob to set the transition rate. Knob Parameter Adjustment Setting values Transition Rate Transition rate 0 to 999 (frame count) Independent key transition rate display To check the set independent key transition rate, press the key source name display/key snapshot button above the corresponding delegation button when the [K-SS] button is off.
  • Page 330: Fade To Black

    Fade to Black Fade to Black Operation FTB button AUTO Fade to black control block Carrying out a fade to black To carry out a fade to black, press the [FTB] button in the fade to black control block. The fade to black is carried out with the transition rate set for the program output of the PGM/PST bank.
  • Page 331 Select [FTB]. Turn the knob to set the fade to black transition rate. Knob Parameter Adjustment Setting values Transition Rate Transition rate 0 to 999 (frame count) Displaying the transition rates in a menu and changing the settings You can also display the transition rate, independent key transition rate, and fade-to-black transition rate for each of the M/E and PGM/PST banks, and change the settings.
  • Page 332: Simple Transition

    Simple Transition The “simple transitions” refer to the transitions carried out using the simple- type transition control block (or simple-type independent key transition control block). Key transition selection buttons Key status display Transition type selection buttons OVER OVER KEY1 KEY2 NORM LIMIT WIPE...
  • Page 333 Using one of the following methods, select the way in which the transition will affect the image. Use a combination of the transition type selection buttons ([MIX], [NAM], [WIPE] and [DME]) and the next transition selection buttons ([KEY1] and [KEY2]). For an overview of the mix, NAM, wipe, and DME wipe transition types, see “Transition Types”...
  • Page 334: Display Of The Key Output Status And Key Priority

    Super mix: “Super Mix Settings” (page 309) Preset color mix: “Color Matte Settings” (page 310) Wipe: “Basic Procedure for Wipe Settings” (page 384) DME Wipe: “Basic Procedure for DME Wipe Settings” (page 412) Clip transition: “Clip Transition Operations” (page 465) Carry out the transition in the transition execution section.
  • Page 335: Independent Key Transitions With A Simple Transition Module

    • The necessary settings have been made in a Setup menu to enable the split fader (See “Settings Relating to Video Switching (Transition Menu)” in Chapter 16 (Volume 2).) • A background is selected for the next transition. • For the transition type, [MIX] or [NAM] is selected. Split fader operation The two halves of the split fader lever correspond to the buses as follows.
  • Page 336 Key 3 control block Key 4 control block K-SS WIPE K-SS WIPE SHIFT SHIFT KEY3 KEY4 TAKE TAKE Independent key transition execution section Independent key transition type selection buttons The functions of the key 3 control block and key 4 control block are the same. Independent key transition control block (simple type) Carrying out a transition using a simple-type independent key transition control block...
  • Page 337 If, in the Setup menus, you set insertion and deletion as independent modes, make the settings for the next transition in the independent key transition control block. Separate settings are required both when inserting a key and when deleting it. For example, with the key not inserted, if you select the transition type and carry out a transition, this will be the setting when inserting a key.
  • Page 338: Chapter 4 Keys

    Chapter 4 Keys Key Setting Operations Using Menus .............338 Key Setting Menus ................338 Key Type Setting ................339 Chroma Key Composition ..............341 Chroma Key Adjustments ..............342 Selecting Key Fill and Key Source ...........347 Key Edge Modifications ..............350 Masks ....................356 Applying a DME Effect to a Key ............360 Specifying the Key Output Destination ..........363 Key Modify Clear ................363 Blink Function ...................363...
  • Page 339: Key Setting Operations Using Menus

    Key Setting Operations Using Menus There are two ways of making key settings: either using menus, or using the key control block. This section describes basic procedures for making key settings using the menus, taking the M/E-1 >Key1 menu as an example. Operations in the Key menus are the same for all banks (M/E-1 to M/E-3 and PGM/PST).
  • Page 340: Key Type Setting

    Key Type Setting Setting the key type in a menu In the M/E-1 >Key1 menu, select HF1 ‘Type.’ The Type menu appears. In the <Key Type> group, select the key type. Luminance: luminance key Linear: linear key Chroma: chroma key Color Vector: color vector key Wipe Pattern: wipe pattern key Key Wipe Pattern: key wipe pattern key...
  • Page 341 Knob Parameter Adjustment Setting values Clip Reference level for generating the +109.59 to –7.31 key signal Gain Key sensitivity –100.00 to +100.00 Density Key density 0.00 to 100.00 Filter Filter coefficient 1 to 9 a) Setting this value to 1, produces the “through” state in which no filter is applied. The larger the value, the more strongly the filter applies.
  • Page 342: Chroma Key Composition

    To invert the black and white sense of the key source: Press [Key Invert], turning it on. To adjust the horizontal position or key source width for a luminance key, linear key, or chroma key: Press [Key Position], turning it on, and set the parameters.
  • Page 343: Chroma Key Adjustments

    When using an additive mix for chroma keying, the (typically blue) background parts of the foreground video must be converted to black. For this, use the color cancel function (see page 343). Using the plane function In an additive mix, since no key is applied to the foreground, any variations in the (typically blue) background may appear in the composite image.
  • Page 344 Knob Parameter Adjustment Setting values Position H Horizontal position –100.00 to +100.00 Position V Vertical position –100.00 to +100.00 Size Size 1.00 to 100.00 a) The setting ranges depend on the signal format, screen aspect ratio, and size settings. Select [Auto Start] in the <Auto> group. This executes an auto chroma key based on the color specified by the sample selector, and displays the composite image on the monitor.
  • Page 345 Knob Parameter Adjustment Setting values Luminance Luminance 0.00 to 100.00 Saturation Saturation 0.00 to 100.00 359.99 to 0.00 Filter Filter coefficient 1 to 9 Set [Key Active] on. The chroma key composite image now appears in the monitor. Making key signal adjustments for color cancel When the color cancel function is set on, you can adjust the key signal for color cancel.
  • Page 346 Knob Parameter Adjustment Setting values Angle Angle value 180.00 to 0.00 For details of the crop and angle parameters, see “Chroma key window” (page 47). • When setting [Y Balance] on and adjusting the ratio in which Y balance is added to the color cancel key Knob Parameter Adjustment...
  • Page 347 Knob Parameter Adjustment Setting values Luminance Luminance 0.00 to 100.00 Adjusting the chroma key shadow This function allows a shadow falling on the (typically blue) background color to be rendered more realistically. Since portions of the (blue) background of less than a certain luminance are treated as shadows, there is no effect on cutting out of the foreground.
  • Page 348: Selecting Key Fill And Key Source

    Selecting Key Fill and Key Source Selecting key fill and key source To select key fill and key source for key 1 on the M/E-1 bank, use the following procedure. In the M/E-1 >Key1 menu, select HF1 ‘Type.’ The Type menu appears. In the <Key Fill>...
  • Page 349 (See “Cross-Point Settings (Xpt Assign Menu)” in Chapter 16 (Volume 2).) Split: You can select a key source signal independently of the key source automatically selected in Auto Select mode. When [Split] was selected in step 5, hold down the [SPLIT] button in the key control block, then in the cross-point control block key 1 row, select the key source signal.
  • Page 350 The Matte Adjust menu appears. Select [Mix Color] in the <Fill Matte> group. Adjust the following parameters. Knob Parameter Adjustment Setting values Size Pattern size 0.00 to 100.00 Soft Softness of the edge of the 0.00 to 100.00 pattern Select the combining pattern in the <Mix Pattern> group. Key Wipe: The wipe pattern selected for an independent key transition is used for combination.
  • Page 351: Key Edge Modifications

    Key Edge Modifications To modify the key edge of key 1 on the M/E-1 bank, use the following procedure. In the M/E-1 >Key1 menu, select HF2 ‘Edge.’ The Edge menu appears. Select the edge type in the <Edge> group. For an overview of the key edge modifications, see “Edge modifiers” (page 49).
  • Page 352 independently. The separate edge function is only valid when a luminance key, linear key, or chroma key is selected as the key type. Knob Parameter Adjustment Setting values Top edge width 0.00 to 8.00 Left Left edge width 0.00 to 8.00 Right Right edge width 0.00 to 8.00...
  • Page 353 To make edge fill adjustments, carry out the settings in step 6. Select the edge fill signal in the <Edge Fill> group. Utility 1 Bus: signal selected on the utility 1 bus Matte: signal from dedicated color matte generator. It becomes possible to adjust color 1. Knob Parameter Adjustment...
  • Page 354 Knob Parameter Adjustment Setting values Saturation Saturation 0.00 to 100.00 359.99 to 0.00 To make the edge soft, press [Soft Edge] to set it on, and adjust the softness. Knob Parameter Adjustment Setting values Soft Edge softness 0.00 to 100.00 For a normal edge, when [Soft Edge] is enabled, [Key Drop] is kept on.
  • Page 355 In the <Edge Fill> group of the Edge menu, select [Matte], then press [Matte Adjust]. The edge fill Matte Adjust menu appears. In the <Edge Matte> group, select [Mix Color], turning it on. Adjust the following parameters. Knob Parameter Adjustment Setting values Size Pattern size...
  • Page 356 • When turning [Multi] on and replicating the pattern Knob Parameter Adjustment Setting values H Multi Number of repetitions of pattern 1 to 63 horizontally V Multi Number of repetitions of pattern 1 to 63 vertically Invert Type Replication layout 1 to 4 a) See page 63.
  • Page 357: Masks

    Note If in the pattern selection described below you select “Mask Pattern,” and “Box” for the main mask, the “Size” parameter here cannot be adjusted. Set “Size” in the Main Mask menu. To adjust the pattern and color, press [Zabton Adjust]. The Zabton Adjust menu appears.
  • Page 358 Using the main mask For example, to use the main mask for key 1 on the M/E-1 bank, use the following procedure. In the M/E-1 >Key1 menu, select HF3 ‘Main Mask.’ The Main Mask menu appears. In the <Mask Type> group, select the mask type. Key Mask: Masks a part of a key.
  • Page 359 Knob Parameter Adjustment Setting values Soft Edge softness 0.00 to 100.00 To invert the black and white sense of the mask source, press the [Mask Invert] button, turning it on. When a pattern is selected as the mask source, set the pattern modifiers as required.
  • Page 360 • When turning [Speed] on in the <Rotation> group and setting the rate of pattern rotation Knob Parameter Adjustment Setting values Speed Rate of pattern rotation –100.00 to +100.00 a) See page 61. Using the subsidiary mask For example, to use the subsidiary mask for key 1 on the M/E-1 bank, use the following procedure.
  • Page 361: Applying A Dme Effect To A Key

    Knob Parameter Adjustment Setting values Soft Edge softness 0.00 to 100.00 • When utility 1 bus is selected Knob Parameter Adjustment Setting values Clip Reference level for creating mask +109.59 to –7.31 signal Gain Gain –100.00 to +100.00 To invert the black and white sense of the mask source, press the [Mask Invert] button, turning it on.
  • Page 362 Using two or three DME channels on one keyer When using the DME dedicated interface, proceed as follows. Select the DME for the first channel (see the previous item, “Assigning a DME to a key”), then select the successive channel for the second channel. For the third channel select the channel after that.
  • Page 363 To select the video signal for the fourth channel, hold down the [UTIL] button in the cross-point control block, and carry out the following operation. • If the selected DME is channel 4, turn on the [KEY4] button in the key 2 row, then select the signal in the key 4 row (DME utility 2 bus).
  • Page 364: Specifying The Key Output Destination

    Specifying the Key Output Destination Using the key processed keyer signals (external processed key) To select the key processed keyer key fill and key source signals on the AUX buses, press [Ext Proc Key], turning it on, in the Processed Key menu. This assigns the key fill and key source signals for M/E-1 key 1 to reentry signals PROC V and PROC K.
  • Page 365: Video Processing

    Using the blink function For example, to make the required settings for key 1 on the M/E-1 bank, use the following procedure. In the M/E-1 >Key1 menu, select HF6 ‘Transition.’ The Transition menu appears. In the <Blink> group, select [Key Blink] or [Edge Blink] to set it on. Set the blink parameters.
  • Page 366 Knob Parameter Adjustment Setting values C Gain Chrominance gain –200.00 to +200.00 Hue Delay Hue delay –180.00 to +180.00 Black Level Luminance black level –7.31 to +109.59 To return adjustment values to their defaults Press [Unity]. Key Setting Operations Using Menus...
  • Page 367: Key Setting Operations With The Key Control Block

    Key Setting Operations With the Key Control Block This section describes the basic procedures for key settings using the key control block. Key delegation buttons Displays M/E delegation buttons Knobs Key type selection buttons SIZER KEY1 KEY2 KEY3 KEY4 TRANS AUTO MATTE SOFT...
  • Page 368 Selecting the bank and keyer To make key settings, first select the bank (from M/E-1 to M/E-3 and PGM/ PST) and keyer, then assign them to the key control block. For example, to set key 1 on M/E-1 with the key control block, use the following procedure.
  • Page 369 Knob Parameter Adjustment Setting values Clip Chroma key reference level 0 to 100 Gain Key sensitivity –100 (shown as –00) to +100 0 to 359 Density Key density 0 to 100 • When [Key Active] is off, only the parameters Hue and Density are displayed.
  • Page 370 Knob Parameter Adjustment Setting values Luminance Color 1 luminance 0 to 100 Saturation Color 1 saturation 0 to 100 Color 1 hue 359 to 0 When [Mix Color] is selected in the key fill Matte Adjust menu, you can further adjust color 2. When [Mix Color] is on, and the [MORE] button is lit amber Knob Parameter...
  • Page 371: Key Edge Modifications

    • To use as key source the same signal as the key fill signal selected on the key fill bus, select the SELF mode by pressing the [AUTO SEL] button and [SPLIT] button simultaneously so that both are off. When chroma key is selected as the key type, select the SELF mode.
  • Page 372 Knob Parameter Adjustment Setting values Top edge width 0 to 8 Left Left edge width 0 to 8 Right Right edge width 0 to 8 Bottom Bottom edge width 0 to 8 a) In the “4H mode” and when [Fine Key] (page 353) is on, the setting value range is 0 to 4. To adjust the edge fill color When [BDR] is selected, the [MORE] button lights amber.
  • Page 373 To adjust the edge fill color When [DROP BDR] or [SHDW] is selected, the [MORE] button lights amber. Pressing the [MORE] button to turn it green then allows you to adjust the edge fill color parameters with the knobs. Knob Parameter Adjustment Setting values...
  • Page 374 Knob Parameter Adjustment Setting values Density Outline density 0 to 100 Setting the embossing parameters When the [EMBOS] button is lit green, adjust the following parameters. Knob Parameter Setting values Width 0 to 4 Position 359 to 0 Density 0 to 100 Selecting a normal edge When all five edge type selection buttons are off, a normal edge is selected.
  • Page 375: Masks

    Knob Parameter Adjustment Setting values 359 to 0 Density Density 0 to 100 Masks Using the main mask In the key control block, press the [MAIN MASK] button, turning it on. The parameter settings depend on the mask source selected as [Box] or [Pattern] in the <Mask Source>...
  • Page 376: Applying A Dme Effect To A Key

    • When wipe is selected Knob Parameter Adjustment Setting values Size Pattern size 0 to 100 Soft Edge softness 0 to 100 • When utility 1 bus is selected Knob Parameter Adjustment Setting values Clip Reference level for +109 to –7 creating mask signal Gain Gain...
  • Page 377 Select the DME for the first channel (see the previous item, “Assigning a DME to a key”), then select the successive channel for the second channel. For the third channel select the channel after that. To select the video signal for the second channel, hold down the [UTIL] button in the cross-point control block, and select the signal in the Key1 row (DME external video bus).
  • Page 378: Other Key Setting Operations

    • If the selected DME is channel 8, turn off the [KEY4] button in the key 2 row, then select the signal in the key 2 row (DME utility 1 bus). When using the SDI interface The operations to select the video signals for the third and fourth channels differ from those in the previous procedure: select the video signals on the AUX bus allocated in a Setup menu (Engineering Setup >Switcher >Device Interface >DME Setting >DME SDI Interface menu).
  • Page 379 Note You cannot select the PROC V and PROC K signals using the cross-point selection buttons of the M/E or PGM/PST bank. Using a frame memory feed When you press the [FM FEED] button in the key control block, it lights momentarily amber, then the key fill and key source signals processed in the currently selected keyer are assigned to frame memory sources 1 and 2.
  • Page 380: Key Snapshots

    Key Snapshots Using the key snapshot function, you can instantaneously save all of the key settings, except the key insertion state (on/off) and key priority, in dedicated registers for later recall as required. For an overview of the key snapshots, see page 53. Key Snapshot Operations Key snapshot operations are carried out in the independent key transition control block or downstream key control block.
  • Page 381 The system switches to key snapshot mode, and the key source name display/key snapshot buttons show the status of registers 1 to 4 for key 1. Off: Nothing is saved in the register. Lit orange: Settings are saved in the register. For a register holding a snapshot, the register name is shown as up to eight characters.
  • Page 382: Key Snapshot Operations Using A Simple Transition Module

    Key Snapshot Operations Using a Simple Transition Module When using a simple transition module, the key snapshots hold the settings for key 3 and key 4. However, each key control block can be assigned to any key in setup (see Chapter 16 “Overall Control Panel Settings (Config Menu)” (Volume 2)).
  • Page 383 In the Flexi Pad control block, hold down the [SNAPSHOT] button and press the key source name display/key snapshot button corresponding to the register in which you want to save the snapshot. The key source name display/key snapshot button which you pressed lights yellow.
  • Page 384: Chapter 5 Wipes

    Chapter 5 Wipes Basic Procedure for Wipe Settings ............384 Wipe Settings Menu ................384 Wipe Pattern Selection ..............384 Pattern Mix ..................387 Setting Wipe Modifiers ..............389 Wipe Modify Clear ................400 Wipe Settings for Independent Key Transitions ........401 Basic Procedure for Independent Key Transition Wipe Settings ..401 Setting Independent Key Transition Wipe Modifiers .......402 Wipe Snapshots ..................406 Wipe Snapshot Operations With the Flexi Pad .........406...
  • Page 385: Basic Procedure For Wipe Settings

    Basic Procedure for Wipe Settings You carry out wipe setting operations principally using the Wipe menu for each of the M/E-1 to M/E-3 and PGM/PST banks. This section describes the basic procedures for wipe settings, taking the M/E- 1 >Wipe menu as an example. For details of independent key transition wipe settings, see “Wipe Settings for Independent Key Transitions”...
  • Page 386 Enhanced: enhanced wipes Rotary: rotary wipes Mosaic1 to Mosaic3: mosaic wipes Random/Dust: random/diamond dust wipes The patterns from the selected pattern group appear on the screen. For details of wipe patterns, see “Types of Wipe Pattern” (page 55) and “Wipe Pattern List” in Appendix (Volume 1) (page 494). Press the button to select the desired pattern.
  • Page 387 Knob Parameter Adjustment Setting values V Size Tile height 0.00 to 100.00 Volatility Rate of tile generation 0.00 to 100.00 • When a diamond dust wipe is selected (pattern number 274) Knob Parameter Adjustment Setting values H Size Particle width 0.00 to 100.00 V Size Particle height...
  • Page 388: Pattern Mix

    This switches the Flexi Pad control block to wipe pattern number recall mode, and the memory recall section display changes as shown in the following figure. WIPE button Numeric display XPT HOLD WIPE A B U 1 2 3 4 UNDO STORE STATS...
  • Page 389 In the same way as for the main pattern, select the sub pattern. The patterns that can be selected for the sub pattern depend on the pattern selected for the main pattern (see the following table). Possible combinations of main pattern and sub pattern Yes: Combination possible No: Combination not possible Main...
  • Page 390: Setting Wipe Modifiers

    In the <Main/Sub Link> group, make the main/sub modifier link function settings. (See “Main and sub modifier link function” (page 58).) Full: fully linked mode Semi: semi-linked mode Applying the effect of a diamond dust wipe to the selected pattern (Dust mix) In the Pattern Mix menu, press [Dust Mix], turning it on.
  • Page 391 • To set the modifiers for the main pattern, in the M/E-1 >Wipe menu, select HF5 ‘Main Modify,’ and make the settings in the Main Modify menu. • To set the modifiers for the sub pattern, select HF6 ‘Sub Modify,’ and make the settings in the Sub Modify menu.
  • Page 392 Press [Split], turning it on. Set the following parameters. Knob Parameter Adjustment Setting values Split No Number of splits 1 to 4 (integer) Spacing Spacing between adjacent 0.00 to 100.00 patterns Modifying the wipe pattern edge In the M/E-1 >Wipe menu, select HF4 ‘Edge/Direction.’ The Edge/Direction menu appears.
  • Page 393 Depending on the operation in step 4, carry out the following operation. When ‘Utility 2 Bus’ is selected: Hold down the [UTIL] button in the cross-point control block, and select the signal on the background B bus. While the [UTIL] button is held down, the background B bus changes to the utility 2 bus.
  • Page 394 • When Wipe is selected Knob Parameter Adjustment Setting values Size Pattern size 0.00 to 100.00 Soft Edge softness 0.00 to 100.00 • When Pattern is selected Knob Parameter Adjustment Setting values Size Pattern size 0.00 to 100.00 Soft Edge softness 0.00 to 100.00 Pattern Pattern number...
  • Page 395 a) See page 63. • When turning [Aspect] on and setting the aspect ratio of the pattern Knob Parameter Adjustment Setting values Aspect Aspect ratio –100.00 to +100.00 a) See page 62. • When turning [Angle] on in the <Rotation> group and slanting the pattern Knob Parameter...
  • Page 396 Knob Parameter Adjustment Setting values Position H Horizontal position –200.00 to +200.00 Position V Vertical position –200.00 to +200.00 a) See page 60. To return the pattern position to the center of the screen In the <Position> group, press [Center]. To move the pattern from its current position to the center through the course of a transition In the <Position>...
  • Page 397 Rotating the wipe pattern (Rotation) You can apply rotation independently to the main pattern and sub pattern. In the M/E-1 >Wipe menu, select HF5 ‘Main Modify.’ The Main Modify menu appears. In the <Rotation> group, select the rotation type. Angle: Incline the pattern through a fixed angle. Speed: Rotate at a fixed rate.
  • Page 398 Press [Aspect], turning it on. Set the following parameter Knob Parameter Adjustment Setting values Aspect Aspect ratio –100.00 to +100.00 a) See page 62. Setting the wipe pattern replication (Multi) You can set pattern replication independently for the main pattern and sub pattern.
  • Page 399 Knob Parameter Adjustment Setting values Position V Vertical position of pattern –200.00 to +200.00 a) See page 60. Making a wipe pattern like a Venetian blind (Pairing) In the M/E-1 >Wipe menu, select HF5 ‘Main Modify.’ The Main Modify menu appears. In the <Pairing>...
  • Page 400 Knob Parameter Adjustment Setting values Amplitude Amplitude of modulation 0.00 to 100.00 Frequency Frequency of modulation 0.00 to 100.00 Speed Speed of waves –100.00 to +100.00 Shape Form of the modulation 1 to 3 a) See page 64. b) See page 64. Applying barrel or pincushion distortion to the edge of the wipe pattern (Spring) You can set the spring function independently for the main and sub patterns.
  • Page 401: Wipe Modify Clear

    Possible combinations of wipe patterns and modifiers Yes: Can be used No: Cannot be used Modifiers Type of wipe Standard Enhanced Rotary Mosaic Random/ diamond dust Direction Split Edge Positioner Rotation Aspect ratio Pattern replication Pairing Modulation (H/V) Modulation (Fringe) Spring Spiral a) Not patterns 1 to 16, 19, and 20...
  • Page 402: Wipe Settings For Independent Key Transitions

    Wipe Settings for Independent Key Transitions You carry out independent key transition wipe setting operations using the Wipe Adjust menu for each keyer. For an overview of independent key transitions, see page 34. This section describes the independent key transition wipe settings, taking the M/E-1 >Key1 >Transition >Wipe Adjust menu as an example.
  • Page 403: Setting Independent Key Transition Wipe Modifiers

    In the Key1 Wipe Adjust menu, select [Pattern Select]. The Pattern Select menu appears. Press the button for the desired pattern. Setting Independent Key Transition Wipe Modifiers Available modifiers You can use the following modifiers with an independent key transition wipe. Note that the available modifiers may depend on the pattern you are using.
  • Page 404 To set the wipe position using the trackball or joystick You can also set the wipe position using the trackball or joystick in the device control block. In the device control block, press the [M/E1], [M/E2], [M/E3], or [P/P] button, turning it on. The buttons in the device control block are assigned to the wipe position setting as follows.
  • Page 405 a) See page 60. To move the pattern from its current position to the center through the course of a transition Press [Auto Center] in the <Position> group, turning it on. Rotating the wipe pattern (Rotation) In the <Rotation> group of the Key1 Wipe Adjust menu, select the rotation type.
  • Page 406 Knob Parameter Adjustment Setting values Aspect Aspect ratio –100.00 to +100.00 a) See page 62. Replicating the wipe pattern (Multi) Press [Multi] in the Key1 Wipe Adjust menu, turning it on. Set the following parameters. Knob Parameter Adjustment Setting values H Multi Number of repetitions of pattern 1 to 63...
  • Page 407: Wipe Snapshots

    Wipe Snapshots Wipe Snapshot Operations With the Flexi Pad Buttons used You can snapshot and save a wipe pattern together with the current settings of its modifiers and pattern limit in a dedicated register for recall when required. In a standard transition system there are ten wipe snapshot registers for each of the M/E-1 to M/E-3 and PGM/PST banks, and in a simple transition module eight registers for each bank.
  • Page 408 WIPE button Numeric display XPT HOLD A B U 1 2 3 4 WIPE SNAP SHOT UNDO Memory recall buttons UNDO button Flexi Pad control block (simple type) Saving a wipe snapshot Make the wipe settings that you want to save. In the Flexi Pad control block, hold down the [WIPE] button, and press the memory recall button corresponding to the register in which you want to save.
  • Page 409 Meaning of the state of buttons Off: Nothing is saved in the register. Lit orange: Settings are saved in the register. Lit yellow: The most recently recalled register. Canceling the saving of a wipe snapshot To cancel the saving of a wipe snapshot immediately after performing it, hold down the [STORE STATS] button, and press the [UNDO] button.
  • Page 410: Wipe Snapshot Operations With The Menus

    Wipe Snapshot Operations With the Menus Menus used As an example, when operating on M/E-1, select M/E-1 >Wipe >Wipe Snapshot. The Wipe Snapshot menu appears. Memory recall buttons Button displays In setup you can select whether the memory recall buttons show the pattern number or register name.
  • Page 411 Notes • If you press a button which is already lit, this overwrites the contents of the register. • When both the main pattern and sub pattern are selected for a pattern mix, the button in the memory recall section shows only the main pattern.
  • Page 412: Chapter 6 Dme Wipes

    Chapter 6 DME Wipes Basic Procedure for DME Wipe Settings ..........412 DME Wipe Settings Menu ..............412 DME Wipe Pattern Selection ............412 Setting DME Wipe Modifiers ............415 DME Wipe Modify Clear ..............422 DME Wipe Settings for Independent Key Transitions ......423 Basic Procedure for Independent Key Transition DME Wipe Settings .. Setting Independent Key Transition DME Wipe Modifiers ....424 DME Wipe Snapshots ................427 DME Wipe Snapshot Operations With the Flexi Pad .......427...
  • Page 413: Basic Procedure For Dme Wipe Settings

    Basic Procedure for DME Wipe Settings You carry out DME wipe setting operations principally using the DME Wipe menu for each of the M/E-1 to M/E-3 and PGM/PST banks. This section describes the basic procedures for DME wipe settings, taking the M/E-1 >DME Wipe menu as an example.
  • Page 414 Select the desired DME wipe pattern group with one of the following buttons. • Slide/Squeeze: slide and squeeze • Split/Door: split and door • Flip Tumble: flip tumble • Mirror/Sphere: mirror and sphere • Character Trail: character trail • Wave/Ripple: wave and ripple •...
  • Page 415 Knob Parameter Adjustment Setting values Side V Size Y Vertical magnification 0.01 to 8.00 Height Height of brick 0.01 to 100.00 Center X Horizontal center position –100.00 to +100.00 Center Y Vertical center position –100.00 to +100.00 a) The horizontal center position of the video pasted on Side V. At –100.00 the center is at the left edge of the screen, and at +100.00 the center is at the right edge of the screen.
  • Page 416: Setting Dme Wipe Modifiers

    b) The horizontal center position of the video pasted on Side V. At –100.00 the center is at the left edge of the screen, and at +100.00 the center is at the right edge of the screen. c) The vertical center position of the video pasted on Side V. At –100.00 the center is at the bottom edge of the screen, and at +100.00 the center is at the top edge of the screen.
  • Page 417 To specify the DME wipe direction in a menu In the M/E-1 >DME Wipe menu, select HF4 ‘Edge/Direction.’ The Edge/Direction menu appears. In the <Direction>group, specify the DME wipe direction. Normal: regular direction Normal/Reverse: alternate between regular and reverse for each transition Reverse: reverse direction to normal To specify the DME wipe direction with a button in the transition control block...
  • Page 418 Knob Parameter Adjustment Setting values 359.99 to 0.00 • When soft border is selected Knob Parameter Adjustment Setting values Width Border width 0.00 to 100.00 Inner Soft Border inner softness 0.00 to 100.00 Luminance Luminance 0.00 to 100.00 Saturation Saturation 0.00 to 100.00 359.99 to 0.00 Display indications when multiple channels are selected at the same...
  • Page 419 The indications on the knobs show the settings of the lowest-numbered channel. When you turn the knobs to adjust the settings, this changes the settings on the other channels by the same amount. To return the DME wipe pattern position to the center of the screen In the <Position>...
  • Page 420 Knob Parameter Adjustment Setting values Relative H Relative movement in the –400.00 to +400.00 horizontal direction Relative V Relative movement in the vertical –400.00 to +400.00 direction For details of the method of DME wipe pattern selection, see “DME Wipe Pattern Selection”...
  • Page 421 The Modify menu appears. Depending on whether the selected pattern is in one-channel mode or two- channel mode, proceed as follows. For a pattern in one-channel mode: press [1st Ch], turning it on. For a pattern in two-channel mode: from the <Ch Select> group, select the corresponding channel.
  • Page 422 In the <Crop Mode> group, press [Crop] or [4:3 Crop] (to crop from 16:9 to 4:3 aspect ratio), turning it on. In the <Crop Mode> group, press [Remove From Begin]. The Remove From Begin menu appears. In the <Crop Transition> group, select the execution mode for the DME wipe crop transition.
  • Page 423: Dme Wipe Modify Clear

    The Remove From Begin menu appears. In the <Release Transition> group, select the timing of transition completion. Last30%: The transition completes at the end of 70% of the transition execution time. The transition has a dead zone from 70% to 95% of the transition time.
  • Page 424: Dme Wipe Settings For Independent Key Transitions

    DME Wipe Settings for Independent Key Transitions You carry out independent key transition DME wipe setting operations using the DME Wipe Adjust menu for each keyer. For an overview of independent key transitions, see page 34. This section describes the independent key transition DME wipe settings, taking the M/E-1 >Key1 >Transition >DME Wipe Adjust menu as an example.
  • Page 425: Setting Independent Key Transition Dme Wipe Modifiers

    Select the desired DME wipe pattern group with one of the following buttons. In two-channel mode, only Page Turn and Page Roll are selectable. • Slide/Squeeze: slide and squeeze • Split/Door: split and door • Mirror/Sphere: mirror and sphere • Character Trail: character trail •...
  • Page 426 To return the DME wipe pattern position to the center of the screen In the <Position> group, press [Center]. Setting the DME wipe pattern size (Size) For applicable pattern numbers, see page 76. In the Key 1 DME Wipe Adjust menu, press [Size], turning it on. Set the following parameter.
  • Page 427 The Remove From Begin menu appears. For subsequent operations, see step 5 of “To set the action when a DME wipe crop transition is executed” (page 420). To set the timing of transition completion In the <Crop Mode> group of the Key1 DME Wipe Adjust menu, press [Crop], turning it on.
  • Page 428: Dme Wipe Snapshots

    DME Wipe Snapshots DME Wipe Snapshot Operations With the Flexi Pad To carry out DME wipe snapshot operations, use the Flexi Pad control block. You can save, recall and delete DME wipe snapshots using the procedures similar to the procedures for wipe snapshot operations. In DME wipe snapshot operations, use the [DME] button instead of the [WIPE] button used in wipe snapshot operations.
  • Page 429: Creating User Programmable Dme Patterns

    Creating User Programmable DME Patterns With a user programmable DME, you can use DME effects created through the use of keyframes for a transition on the switcher system. Note the following points when creating a keyframe effect for use as a user programmable DME pattern.
  • Page 430 The following transition modes are available. Channels Transition mode Effect group One-channel mode Single transition mode Slide, Split, Door, Page turn, Page roll, Squeeze, Mirror, Sphere, Character Trail, Wave, Ripple, 2D Trans, 3D Trans, Sparkle, Split Slide Flip Tumble Flip Tumble, Mosaic, Defocus Frame in-out Frame in-out Frame in-out...
  • Page 431 • Create the last keyframe with the image inverted so the back side is visible, and with the size at full size. • In the <Transition Mode> group of the Key Frame >DME User PGM menu, select [Flip Tumble]. Notes on frame in-out (one-channel mode) Create a minimum of three keyframes.
  • Page 432 • Either create the first keyframe image outside the screen area, or set the image size to zero so that it cannot be seen within the screen. • Create the first transition to end such that the image can be seen within the screen.
  • Page 433 Note It is recommended to make the priority settings at a keyframe point at which the two images are not overlapping. • During the course of a transition, there is a “dead zone” corresponding to the intermediate point of the whole effect (see following figure), during which the image does not change.
  • Page 434: Chapter 7 Frame Memory

    Chapter 7 Frame Memory Still Image Operations ................434 Preparations ..................434 Interpreting the Frame Memory Menu ..........434 Selecting an Input Image ..............438 Selecting Outputs and Target Frame Memory ........439 Capturing an Input Image (Freeze) ............440 Recalling Still Images ...............443 Image Processing ................445 Image Output ..................449 Continuously Capturing Still Images (Record) .........451 Recalling a Continuous Sequence of Still Images (Animation) ..452...
  • Page 435: Still Image Operations

    Still Image Operations For an overview of frame memory concepts, see “Frame Memory” (page 79). Note During playback of a frame memory clip of the pair assigned to either of the target FM selection buttons (see page 457), frame memory operations may not be performed properly.
  • Page 436 1 Auto store status display 2 Display of available image capacity 4 Pair selection button Frame memory selection area 5 Pair button 3Target FM selection buttons 7Frame memory folder selection area 6 File selection area 8Direct Recall button Frame Memory menu a Auto store status display Depending on the setup settings, this appears when the auto store function is enabled.
  • Page 437 c Target FM selection buttons Status display Reposition/Lock status display Still/duration display The border color shows the status as follows: Blue: selected as the reference channel Amber: selected, but not the reference channel Black: not selected Press one of these to select which of the selected outputs (FM1 and FM2 in the example shown) the operation applies to.
  • Page 438 Status display The border color shows the status as follows: Blue: selected as the reference channel Amber: selected, but not the reference channel Black: not selected The following information appears on the button. Status display For a pair, shows the status for the reference. Thumbnail: when a file is output Black: when a black signal is output Through: when the input image is output...
  • Page 439: Selecting An Input Image

    File information detail display Selected file. When a pair file is selected each press switches the front and the back. Thumbnail indications Still image files and clip files: Still image files are displayed as gray buttons and clip files are displayed as yellow buttons. Single files and pair files: Single files are displayed with shadow and pair files are displayed with no shadow.
  • Page 440: Selecting Outputs And Target Frame Memory

    When using the signal on frame memory source bus 1 or 2 for the input image, select the signal as described below. For the method of using a color matte signal, see “Freezing an image and writing it to memory” (page 440). Selecting the signal on a frame memory source bus As an example, to select a signal on frame memory source bus 1, use the following procedure.
  • Page 441: Capturing An Input Image (Freeze)

    To the right of the target FM selection buttons, the FM1 and FM2 output status appears (see page 436). If required, press [Pair], to select the FM operation mode (pair mode). On: Operate on FM1(3, 5, 7) and FM2(4, 6, 8) as a pair. Off: Operate on FM1(3, 5, 7) and FM2(4, 6, 8) individually.
  • Page 442 Press a button in the frame memory folder selection area, to select the folder to hold the freeze image. For details of the selection method, see page 440. Note The folder selected here is the destination folder for writing the freeze image.
  • Page 443 The keyboard window (see page 291) appears. In the keyboard window, enter the file name (maximum 8 characters). Note The following names cannot be used: CON, PRN, AUX, CLOCK$, NUL, COM0, COM1, COM2, COM3, COM4, COM5, COM6, COM7, COM8, COM9 LPT0, LPT1, LPT2, LPT3, LPT4, LPT5, LPT6, LPT7, LPT8, LPT9 In the keyboard window, press the [Enter] button.
  • Page 444: Recalling Still Images

    Knob Parameter Adjustment Setting values Hue Delay Hue delay –180.00 to +180.00 Black Level Y signal black level –7.31 to +109.59 To return the settings to the default values, press [Unity] in the <Video Process> group. Note When a pair setting is active, it is coupled to the video process on/off setting, but the above parameter settings are only valid for frame memory source bus 1.
  • Page 445 In the Frame Memory menu, select VF1 ‘Still’ and HF1 ‘Recall.’ The Recall menu appears. • When [Pair] is on, only pair files (pairs of main file and sub file) are displayed. Sub file Main file • When [Pair] is off, both single files and pair files appear. Single file In the frame memory selection area, select the FM to be assigned.
  • Page 446: Image Processing

    Using the arrow keys or turning the knob, scroll the file thumbnail display. Knob Parameter Adjustment Setting values Scroll Thumbnail display 1 and upwards scrolling Press the thumbnail of the clip you want to recall. Press [Recall]. This recalls the still image file, which is assigned to the FM you selected in step 2.
  • Page 447 Note The folder selected here is the destination folder for writing the freeze image. It is not possible to change the selection of this folder after the following step 5. An orange bar appears on the selection button for the destination folder. Press [Edit Enable], turning it on.
  • Page 448 In the state in which you want to freeze, press one of the following in the <Freeze> group, to write the freeze image to temporary memory. Frame: Freeze one frame. Field: Freeze one field. Off: Release the freeze, and delete the recorded freeze image. After carrying out the freeze, to return to the state immediately before the freeze, press [Undo] in the <Freeze>...
  • Page 449 • Ext Key: external key (This can only be selected when the pair mode is enabled. The signal selected on the frame memory source 2 bus is used as the key signal.) • Mix: mix • Nam: non-additive mix If none of the above is selected, image combination is not carried out. Depending on the selection in step 1, set the following parameters.
  • Page 450: Image Output

    Knob Parameter Adjustment Setting values H Multi Number of repetitions of 1 to 63 pattern horizontally V Multi Number of repetitions of 1 to 63 pattern vertically Invert Type Replication layout 1 to 4 a) See page 63. • When turning [Aspect] on and setting the aspect ratio of the pattern Knob Parameter Adjustment...
  • Page 451 Moving the output image (reposition function) In the Frame Memory menu, select VF3 ‘Reposition/Lock’ and HF1 ‘Reposition.’ The Reposition menu appears. In this menu, you can also enable the V/K mode (see page 440). In the frame memory selection area, select the FM output. (See page 439.) In the <Reposition>...
  • Page 452: Continuously Capturing Still Images (Record)

    Continuously Capturing Still Images (Record) Continuously freezing input images and writing to memory In the Frame Memory menu, select VF1 ‘Still’ and HF4 ‘Animation Record.’ The Animation Record menu appears. Select the desired frame memory. For details of the operating procedures, see “Selecting outputs (FM) and target frame memory”...
  • Page 453: Recalling A Continuous Sequence Of Still Images (Animation)

    If required, set video processing for the selected signal. For details of the operating procedures, see “Setting video processing” (page 442). Press [Record], to start recording. When the recording time is set, recording stops once the time has elapsed. Press [Stop] to stop recording. Even if the recording time is set, you can still stop recording before the set time has elapsed.
  • Page 454 Turn the knob to select the register number in the user region. Knob Parameter Adjustment Setting values Register Effect register number 1 to 99 Note To search for an empty register in the user region, use the numeric keypad control block (see step 3 of “Recalling a Register” in Chapter 13 (Volume 2)).
  • Page 455 To cancel creating the effect Press [Cancel]. Notes • The effect is built with the selected files, in increasing order of the last three characters of the file name. If you do not want to include some of these files in the effect, first delete or rename them.
  • Page 456: Frame Memory Clip Operations

    Frame Memory Clip Operations For an overview of frame memory clip concepts, see “Frame Memory Clip Function” (page 84). Note During playback of a frame memory clip of the pair assigned to either of the target FM selection buttons (see page 457), frame memory operations may not be performed properly.
  • Page 457 Frame memory Target selection buttons folder selection area Frame memory Pair selection buttons selection area Clip file selection area Direct Recall button In the frame memory selection area, select an assigned target FM. (See page 439) If [Direct Recall] is on, press the button, turning it off. In the folder selection area, select the desired folder.
  • Page 458: Clip Playback

    In pair mode, if a clip is selected, the main file is output to FM1, and the sub file to FM2. In single mode, when only one of FM1 and FM2 is selected, the front file on the thumbnail is output. To recall in direct recall mode Direct recall means that pressing a thumbnail immediately recalls the file.
  • Page 459 Status buttons Current position These show the timecode values for (red bar) the start point, current position, and end point. Playback start point (pale blue bar) Playback end point (yellow bar) When [Pair] is Off, press a target FM selection button to select the target. To set loop playback, press [Loop], turning it on.
  • Page 460 To specify the playback start point To set the current position as the playback start point, in the <Start TC> group, press [Set]. To set a different position, press the [Start] status button, and enter a timecode value from the numeric keypad window. To specify the playback stop point Start playback, and at the desired position press the [STOP] button to stop playback, then in the <Stop TC>...
  • Page 461 To specify the playback stop point Start playback, and at the desired position press the [STOP] button to stop playback, then press the [STOP TC] button. To set to any position, press the [SET STOP TC] button, and enter a timecode from the numeric keypad control block.
  • Page 462: Clip Creation

    counterclockwise. Move the joystick to the right for the forward direction and to the left for the reverse direction. When you pressed the [JOG] button: Playback is at a speed corresponding to the turning speed of the Z-ring or the movement speed of the joystick. When you pressed the [SHTL] button: Playback is at a speed corresponding to the rotation angle of the Z-ring or amount of movement of the joystick.
  • Page 463 Frame memory Pair selection selection area buttons Operation target Folder selection selection buttons area With [Pair] off, press the operation target selection button, to select the operation target. In the folder selection area, select the folder containing the clip to be recorded.
  • Page 464: Creating And Handling Frame Memory Folders

    This confirms the clip duration. Creating and Handling Frame Memory Folders You can create, rename, and delete frame memory folders. Creating a new folder In the Frame Memory menu, select VF5 ‘Folder.’ The Folder menu appears. The status area shows a list of the current folder settings.
  • Page 465: Clip Output

    LPT9 This changes the folder name. Deleting a folder In the Frame Memory >Folder menu, select the folder with the arrow keys or by turning the knobs. Knob Parameter Adjustment Setting values Folder selection 1 to 12 Number of files to select 1 to 12 consecutively from selected file To select all folders, select [All].
  • Page 466: Clip Transition Operations

    Clip Transition Operations For an overview of clip transitions, see “Frame Memory Clip Function” (page 84). Note When a clip transition is selected as the transition type, if one of the wipe direction selection buttons in the transition control block is lit, it indicates the direction of clip playback Setting a clip transition The following example describes the case of a clip transition using FM 1&2...
  • Page 467 Clip transition display area Background transition display area Clip display area Press the [Clip] button. The Clip menu appears, and the status area shows a list of clips. Select the clip to use in the clip transition. Return to the Clip Transition menu, and in the <BKGD Transition Type> group, select the background transition type.
  • Page 468 • Turn knob 1 to set the number of frames. (The left end of the reference axis (see following figure) is the position of frame 0.) Position of frame 0 Reference axis Using either of the following methods, set the end point of the background transition.
  • Page 469: Image Data Management

    Image Data Management You can carry out the following operations on the files in which images are saved. • Pair file processing • Move • Delete • Rename • Backup • Restore For an overview of file management, see page 85. Note During playback of a frame memory clip of the pair assigned to either of the target FM selection buttons (see page 457), frame memory operations may not...
  • Page 470: Moving Files

    The Pair Recombination menu appears. Press [Couple]. This converts the files output to FM1 and FM2 to a pair. Splitting a pair file into two single files Note Carrying out the following operation automatically switches [Pair] to Off. The following description applies to the case of FM1and FM2, but the procedures are similar for the other cases.
  • Page 471: Deleting Files

    Knob Parameter Adjustment Setting values File selection 1 and upwards Selection of number of files in 1 and upwards sequence Select the destination folder and file. Press [Move]. A message for confirming the move appears. To confirm the move press [Yes], and to cancel press [No]. Deleting Files Deleting files In the Frame Memory menu, select VF4 ‘File’...
  • Page 472: Renaming Files

    If necessary, turn the knob to check the contents of the frame memory clip through the thumbnail display. Knob Parameter Adjustment Setting values Viewer For a movie, the current frame 00:00:00 and position. For a still image, no effect. upwards Press [Delete].
  • Page 473: File Backups

    Note The following names cannot be used: CON, PRN, AUX, CLOCK$, NUL, COM0, COM1, COM2, COM3, COM4, COM5, COM6, COM7, COM8, COM9 LPT0, LPT1, LPT2, LPT3, LPT4, LPT5, LPT6, LPT7, LPT8, LPT9 File Backups To back up a file saved in memory to hard disk, use the following procedure. In the Frame Memory menu, select VF4 ‘File’...
  • Page 474: Chapter 8 Color Backgrounds

    Chapter 8 Color Backgrounds Color Background Setting Operations ...........474 Color Background Settings Menu .............474 Basic Color Background Setting Operations ........474...
  • Page 475: Color Background Setting Operations

    Color Background Setting Operations You carry out color background settings in the Color Bkgd menu. This section describes the settings menu for color background 1 as an example. For an overview of the color background, see page 87. Color Background Settings Menu Accessing the Color Bkgd1 menu Use either of the following operations.
  • Page 476 Making a color combination (color mix) To combine color 1 and color 2, use the following procedure. In the <Matte> group of the Color Bkgd1 menu, press [Mix Color], turning it on. Set the following parameters as required. Knob Parameter Adjustment Setting values Size...
  • Page 477 Knob Parameter Adjustment Setting values H Multi Number of repetitions of pattern 1 to 63 horizontally V Multi Number of repetitions of pattern 1 to 63 vertically Invert Type Replication layout 1 to 4 a) See page 63. • When turning [Aspect] on and setting the aspect ratio of the pattern Knob Parameter Adjustment...
  • Page 478 Knob Parameter Adjustment Setting values Speed Speed of waves –100.00 to +100.00 a) See page 64. To interchange color 1 and color 2, press the [Color Invert] button, turning it on. Color Background Setting Operations...
  • Page 479 Color Background Setting Operations...
  • Page 480: Chapter 9 Copy And Swap

    Chapter 9 Copy and Swap Basic Copy and Swap Operations ............480 Copy and Swap Menu Operations .............480 Copy by Button Operation ..............481...
  • Page 481: Basic Copy And Swap Operations

    Basic Copy and Swap Operations Copy and Swap Menu Operations There are two ways of carrying out a copy operation: by using the menus or by a simple button operation. Swap operations, and operations on DME data can only be done with a menu operation. Accessing the Copy/Swap menu In the menu operation section top menu selection buttons, press the [Copy/ Swap] button, then press VF1 ‘Copy/Swap.’...
  • Page 482: Copy By Button Operation

    Wipe: The operation applies to wipes in the transition control block. Key Wipe: The operation applies to wipes in the independent key transition control block. Using any of the following methods, select the data to be copied or swapped. • Press directly on the list in the status area. •...
  • Page 483 M/E copy button operation In the Flexi Pad control block of each M/E bank, use the [SNAPSHOT] button. To copy from M/E-1 to M/E-2 In the M/E-1 Flexi Pad control block, hold down the [SNAPSHOT] button, then press the [SNAPSHOT] button in the M/E-2 Flexi Pad control block. Keyer copy button operation To specify the copy source, use the key delegation buttons in the key control block, and to specify the copy destination, use the key delegation buttons in the...
  • Page 484: Chapter 10 Misc Menu, Etc

    Chapter 10 Misc Menu, Etc. Misc Menu Operations ................484 Port Settings for Control From an External Device ......484 Editing Keyboard Settings ..............485 Safe Title Settings ................486 Displaying a List of Transition Rates and Changing the Settings ..487 AUX Menu Operations ................489 AUX Bus Settings ................489 Status Menu ....................490 Video Process Settings ................491...
  • Page 485: Misc Menu Operations

    Misc Menu Operations In the Misc menu, you can carry out the following operations. • Enabling and disabling operation from an external device, System Manager, or an editing keyboard. • Switching the safe title function on or off for each switcher output. •...
  • Page 486: Editing Keyboard Settings

    DME override In the menu control block, press the top menu selection button [MISC], then select VF1 ‘Enable’ and HF1 ‘Port Enable.’ The Misc >Enable >Port Enable menu appears. In the <DME Override> group, select the DME override mode. DME Override: When a switcher snapshot or effect using a DME is recalled, forcibly select the DME that was used when saving.
  • Page 487: Safe Title Settings

    Enabling or disabling control from the editing keyboard In the menu control block, press the top menu selection button [MISC], then select VF1 ‘Enable’ and HF2 ‘Plug-In Editor.’ The Misc >Enable >Plug-In Editor menu appears. In the <Control From Plug-In Editor> group, press [Editor Enable]. Each time you press the button toggles between enable and disable.
  • Page 488: Displaying A List Of Transition Rates And Changing The Settings

    Press [Safe Title] to set it on or off. Displaying a List of Transition Rates and Changing the Settings In the Transition menu, for each bank you can display a list of the M/E (or PGM/PST) transition rates and independent key (or DSK) transition rates, and change the settings.
  • Page 489 Turn the knob to set the number of frames. Knob Parameter Adjustment Setting values Transition Rate Transition rate 0 to 999 (frames) Note When a clip transition is selected as the transition type, it is not possible to change the transition rate in this menu. To set the independent key transition rate In the <M/E-1 Transition Rate>...
  • Page 490: Aux Menu Operations

    AUX Menu Operations AUX Bus Settings Making video process settings for an AUX bus Make the settings as follows. In the Aux/Mon >Aux Bus menu, using any of the following methods, select the AUX bus to which the settings apply. •...
  • Page 491: Status Menu

    Status Menu The Status menu shows the following information. • Operating status of the DME Viewing the DME operating status To view the DME operating status, press the top menu selection button [STATS] in the menu control block. This selects VF1 ‘DME Status’ and the Status menu appears. DME status display For each DME channel, you can see how the DME is being used in the corresponding operation block.
  • Page 492: Video Process Settings

    Video Process Settings This section describes operations on the M/E-1 to M/E-3, and PGM/PST background A and B buses, and utility buses 1 and 2. For these operations, use the Misc >Video Process menu in the respective operating bank. For video process settings on other buses, see the following. •...
  • Page 493 Video Process Settings...
  • Page 494: Appendix (Volume 1)

    Appendix (Volume 1) Wipe Pattern List ..................494 Standard Wipes ..................494 Enhanced Wipes ................495 Rotary Wipes ..................496 Mosaic Wipes ..................497 Random/Diamond Dust Wipes ............499 DME Wipe Pattern List ................500 DME Wipe Patterns Available in One-Channel Mode .....500 DME Wipe Patterns Available in Two-Channel Mode .....509 DME Wipe Patterns Available in Three-Channel Mode ....513...
  • Page 495: Wipe Pattern List

    Wipe Pattern List Standard Wipes Wipe Pattern List...
  • Page 496: Enhanced Wipes

    Enhanced Wipes Wipe Pattern List...
  • Page 497: Rotary Wipes

    Rotary Wipes Wipe Pattern List...
  • Page 498: Mosaic Wipes

    Mosaic Wipes Wipe Pattern List...
  • Page 499 Wipe Pattern List...
  • Page 500: Random/Diamond Dust Wipes

    Random/Diamond Dust Wipes Wipe Pattern List...
  • Page 501: Dme Wipe Pattern List

    DME Wipe Pattern List DME Wipe Patterns Available in One-Channel Mode Slide 1001 1002 1003 1004 1005 1006 1007 1008 Split 1011 1012 1013 DME Wipe Pattern List...
  • Page 502 Squeeze 1021 1022 1023 1024 1025 1026 1027 1028 1029 1030 1031 Door 1041 1042 1043 1044 1045 1046 1047 1048 DME Wipe Pattern List...
  • Page 503 2D trans 1051 1052 1053 1054 1055 1056 1057 1058 1061 1062 1063 1064 1068 3D trans 1071 1072 1074 1076 1077 1088 1091 1092 1093 1094 DME Wipe Pattern List...
  • Page 504 Flip tumble 1101 1102 1103 1104 1109 1110 1121 1122 1124 1131 1132 1133 1135 Frame in-out 1201 1202 1203 1204 1205 1206 1207 1208 1221 1222 1223 1224 DME Wipe Pattern List...
  • Page 505 Picture-in-picture 1251 Page turn 1301 1302 1303 1304 1305 1306 1307 1308 1309 1310 1311 1312 1313 1315 1316 1317 1318 1341 1342 1343 1344 1345 DME Wipe Pattern List...
  • Page 506 Page roll 1321 1322 1323 1324 1325 1326 1327 1328 1329 1330 1331 1332 1333 1335 1336 1337 1338 1346 1347 1348 1349 1350 Mirror 1355 1356 1357 1358 DME Wipe Pattern List...
  • Page 507 Sphere 1365 Character trail 1371 1372 Wave 1378 1379 Ripple 1381 DME Wipe Pattern List...
  • Page 508 Split slide 1384 1385 1386 1387 1388 1389 Sparkle 1391 1393 1394 1396 1398 1399 Mosaic 1701 Defocus 1702 DME Wipe Pattern List...
  • Page 509 User programmable DME The illustrations for patterns 1901 to 1999 show an effect register number or register name. 1901 1999 DME Wipe Pattern List...
  • Page 510: Dme Wipe Patterns Available In Two-Channel Mode

    DME Wipe Patterns Available in Two-Channel Mode Slide 2601 2602 2603 2604 2605 2606 2607 2608 Squeeze 2621 2622 2623 2624 2625 2626 2627 2628 3D trans 2631 2632 2633 2634 2642 2644 DME Wipe Pattern List...
  • Page 511 Picture-in-picture 2651 2652 Page turn 2701 2702 2703 2704 2705 2706 2707 2708 2709 2710 2711 2712 2713 2715 2716 2717 2718 2741 2742 2743 2744 2745 DME Wipe Pattern List...
  • Page 512 Page roll 2721 2722 2723 2724 2725 2726 2727 2728 2729 2730 2731 2732 2733 2735 2736 2737 2738 2746 2747 2748 2749 2750 DME Wipe Pattern List...
  • Page 513 Brick 2801 2802 2803 2804 2811 2812 2813 2814 Frame in-out 2851 2852 2853 2854 2861 2862 2863 2864 User programmable DME The illustrations for patterns 2901 to 2999 show an effect register number or register name. 2901 2999 DME Wipe Pattern List...
  • Page 514: Dme Wipe Patterns Available In Three-Channel Mode

    DME Wipe Patterns Available in Three-Channel Mode Brick 3601 User programmable DME The illustrations for patterns 3901 to 3999 show an effect register number or register name. 3901 3999 DME Wipe Pattern List...
  • Page 515: Index

    Index Border 50, 107 Input video processing parameters 370 Additive mix 46 Brick 140 Luminance processing Angle 61 Broken glass 117 Art Edge 108 BS button 291 Output video processing Aspect ratio 62, 396, 404 Bus fixed mode 42 Attributes 168 fader operation 321 Primary color correction Audio mixer 30...
  • Page 516 for independent key processed key 232, 363, transitions 423 Dead zone 432 DME wipes 67, 411 External devices 142 Default recall button 283 copy 89, 90 connections 178 Defocus 107 direction 415 disk recorder control 145 Del button 292 modifiers 415 Extended VTR control Delay setting 158 modify clear 422...
  • Page 517 settings 181 Independent key transition default 54 Frame memory operations 34, 324 delegation buttons 225, DME wipe settings 423 capturing an input image simple transitions 334 deleting 32 type 325 density adjustment 135 clip 455 type selection buttons disable 167 input image selection 438 225, 264, 266 edge modifications 350,...
  • Page 518 selection buttons 230 menu macro 202 Menu macros 202 Key transition overview 190 Metal 113 selection buttons 262 registers 190 Minus button 290 Key type timeline 196 Mirror 119 selection buttons 230 Magnitude 61 Misc menu operations 484 setting 339 Main mask 52 MIX 83, 223, 225, 271 Keyboard window 291...
  • Page 519 One-time mode 39 Preview 43, 323 parameters 371 Operation selection buttons 247 Shaped Video 134 buttons 234 Previous page button 283 SHIFT button 221 modes 80 PRIOR SET button 225, 272 Shift button 292 settings 178 PST COLOR MIX 223, 271 Shortcut 295 Outline 51 Shotbox 171...
  • Page 520 Subsidiary menu site 295 Transition execution switching 181 SUPER MIX 223, 271 section 223, 262, 271 Video process 92 Super mix 39 with the fader lever 319 memory 93 settings 309 Transition indicator 223, 271 settings 491 Swap 88, 480 function 311 VTR control 145 Swirl 122...
  • Page 521 saving 407 Wire frames 104 XPT HOLD buttons 220, 249 status display 263 Y balance 48 adjustment 345 Zabton 51, 355, 373 Z-ring 236 Index...
  • Page 522 The material contained in this manual consists of infor- mation that is the property of Sony Corporation and is intended solely for use by the purchasers of the equip- ment described in this manual. Sony Corporation expressly prohibits the duplication of...
  • Page 523 Sony Corporation DVS-9000/9000SF Printed in Japan System (SY) 2008.05.13 ©2002 3-704-666-08 (1) Printed on recycled paper...

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